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	<title>Comments on: MM  MM Good?</title>
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	<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good</link>
	<description>Photo/video thoughts from the largest rental house</description>
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		<title>By: Lee</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17495</link>
		<dc:creator>Lee</dc:creator>
		<pubDate>Sat, 08 Sep 2012 14:27:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17495</guid>
		<description>Ming Thein&#039;s is not very scientific comparison. Lens choices goose it big time in favor of the M-M (although, to be fair, I think he&#039;s pretty up-front about that in the text of the piece, even disclaiming to go by his words more than the images).

But if they&#039;d both been bayer sensors, I doubt even putting a Master Prime on the 18MP and a Samyang on the 36MP would&#039;ve made the former come out on top (well, that might be hyperbole :P ). To me that general point is the interesting take-away.</description>
		<content:encoded><![CDATA[<p>Ming Thein&#8217;s is not very scientific comparison. Lens choices goose it big time in favor of the M-M (although, to be fair, I think he&#8217;s pretty up-front about that in the text of the piece, even disclaiming to go by his words more than the images).</p>
<p>But if they&#8217;d both been bayer sensors, I doubt even putting a Master Prime on the 18MP and a Samyang on the 36MP would&#8217;ve made the former come out on top (well, that might be hyperbole <img src='http://www.lensrentals.com/blog/wp-includes/images/smilies/icon_razz.gif' alt=':P' class='wp-smiley' />  ). To me that general point is the interesting take-away.</p>
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		<title>By: Ralf C. Kohlrausch</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17458</link>
		<dc:creator>Ralf C. Kohlrausch</dc:creator>
		<pubDate>Thu, 06 Sep 2012 09:58:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17458</guid>
		<description>Hi Roger, 

could you please do a test of the lens on the left side of the cupboard ;-?

Greets 
Ralf C.</description>
		<content:encoded><![CDATA[<p>Hi Roger, </p>
<p>could you please do a test of the lens on the left side of the cupboard ;-?</p>
<p>Greets<br />
Ralf C.</p>
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		<title>By: Thorsten Overgaard</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17414</link>
		<dc:creator>Thorsten Overgaard</dc:creator>
		<pubDate>Tue, 04 Sep 2012 10:03:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17414</guid>
		<description>Thanks for a really interesting test served in a enjoyable manner :-)

I think what summs up the Leica M Monochrom is the fun factor: It&#039;s a camera you want to play with and see where will bring you. 

If it doesn&#039;t have that factor, then forget it anyways.

It&#039;s interesting that I bought the Leica M9 when it came out as a &quot;fun camera&quot; to play with besides my Leica dSLR cameras. As it turned out, it became my main camera in less than a year.

I don&#039;t see how a black &amp; white camera can become a main camera in a world where clients and all demand color (but do like black &amp; white when they see it), but I think the Leica M Monochrom will open up new ways of viewing photography and black &amp; white photography. 

/Thorsten</description>
		<content:encoded><![CDATA[<p>Thanks for a really interesting test served in a enjoyable manner <img src='http://www.lensrentals.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
<p>I think what summs up the Leica M Monochrom is the fun factor: It&#8217;s a camera you want to play with and see where will bring you. </p>
<p>If it doesn&#8217;t have that factor, then forget it anyways.</p>
<p>It&#8217;s interesting that I bought the Leica M9 when it came out as a &#8220;fun camera&#8221; to play with besides my Leica dSLR cameras. As it turned out, it became my main camera in less than a year.</p>
<p>I don&#8217;t see how a black &amp; white camera can become a main camera in a world where clients and all demand color (but do like black &amp; white when they see it), but I think the Leica M Monochrom will open up new ways of viewing photography and black &amp; white photography. </p>
<p>/Thorsten</p>
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		<title>By: Frans van den Bergh</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17273</link>
		<dc:creator>Frans van den Bergh</dc:creator>
		<pubDate>Thu, 30 Aug 2012 09:15:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17273</guid>
		<description>Hi Roger,

&quot;dcraw -D&quot; should process a raw file without applying any Bayer demosaicing (you can also tell that this is quite fast). Imatest should be able to process the resulting grayscale file without problems.

I would be happy to take a look at the files (just email me some Imatest chart shots).

Some further comments: 
1. That value of 2050 for the MM JPEG image sounds a bit high. The MTF50 for a diffraction limted lens at 550 nm wavelength, mounted on a sensor with a 6.8 micron pitch (i.e., the MM), would be more like this:
f/5.6 : 1618 lp/ph
f/2.8 : 1861 lp/ph
f/1.4 : 1981 lp/ph (but obviously the lens is not that good)
I suspect that some sharpening has indeed been applied to the MM JPEG, or something else is amiss. 

2. The Bayer colour filter does not prevent you from measuring MTF values near to the expected resolution limit given the pixel size, provided that you measure MTF using the slanted edge method applied to only one channel of a raw file. In other words, on a D800E, you should be able to measure right up to the diffraction limit if your lens is diffraction limited. Note that this is possible because the slanted edge method (used by Imatest) measures resolution over a large number of pixels spanning a step edge --- in real world photos the Bayer filter will indeed appear to reduce resolution in certain orientations.

If you demosaic the image first, then you may measure MTF50 values that are quite a bit lower than what the individual channels can give you, which is consistent with what you are seeing on the MM.</description>
		<content:encoded><![CDATA[<p>Hi Roger,</p>
<p>&#8220;dcraw -D&#8221; should process a raw file without applying any Bayer demosaicing (you can also tell that this is quite fast). Imatest should be able to process the resulting grayscale file without problems.</p>
<p>I would be happy to take a look at the files (just email me some Imatest chart shots).</p>
<p>Some further comments:<br />
1. That value of 2050 for the MM JPEG image sounds a bit high. The MTF50 for a diffraction limted lens at 550 nm wavelength, mounted on a sensor with a 6.8 micron pitch (i.e., the MM), would be more like this:<br />
f/5.6 : 1618 lp/ph<br />
f/2.8 : 1861 lp/ph<br />
f/1.4 : 1981 lp/ph (but obviously the lens is not that good)<br />
I suspect that some sharpening has indeed been applied to the MM JPEG, or something else is amiss. </p>
<p>2. The Bayer colour filter does not prevent you from measuring MTF values near to the expected resolution limit given the pixel size, provided that you measure MTF using the slanted edge method applied to only one channel of a raw file. In other words, on a D800E, you should be able to measure right up to the diffraction limit if your lens is diffraction limited. Note that this is possible because the slanted edge method (used by Imatest) measures resolution over a large number of pixels spanning a step edge &#8212; in real world photos the Bayer filter will indeed appear to reduce resolution in certain orientations.</p>
<p>If you demosaic the image first, then you may measure MTF50 values that are quite a bit lower than what the individual channels can give you, which is consistent with what you are seeing on the MM.</p>
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		<title>By: Christoph Breitkopf</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17272</link>
		<dc:creator>Christoph Breitkopf</dc:creator>
		<pubDate>Thu, 30 Aug 2012 08:34:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17272</guid>
		<description>While that may not be a problem for Leica users, what would keep me from going for a BW Nikon (if there was such a beast) is lens quality. If I shoot in color, I can correct some color aberrations easily before converting to BW. If I shoot in BW with a lens that has visible chromatic aberrations, I&#039;m out of luck. And some of my favorite lenses (Nikkor 2.8/180, any version, for example) do have CA.</description>
		<content:encoded><![CDATA[<p>While that may not be a problem for Leica users, what would keep me from going for a BW Nikon (if there was such a beast) is lens quality. If I shoot in color, I can correct some color aberrations easily before converting to BW. If I shoot in BW with a lens that has visible chromatic aberrations, I&#8217;m out of luck. And some of my favorite lenses (Nikkor 2.8/180, any version, for example) do have CA.</p>
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		<title>By: Antoine</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17271</link>
		<dc:creator>Antoine</dc:creator>
		<pubDate>Thu, 30 Aug 2012 08:04:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17271</guid>
		<description>Hi Roger,
The Lux 50 mm glass is a bit soft at close distance. Run it again with the Cron 50MM / f:2.0.... You should see a difference.
Cheers</description>
		<content:encoded><![CDATA[<p>Hi Roger,<br />
The Lux 50 mm glass is a bit soft at close distance. Run it again with the Cron 50MM / f:2.0&#8230;. You should see a difference.<br />
Cheers</p>
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		<title>By: Huggs</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17266</link>
		<dc:creator>Huggs</dc:creator>
		<pubDate>Thu, 30 Aug 2012 05:46:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17266</guid>
		<description>Somebody shops at ~SkyMaaaaall~.</description>
		<content:encoded><![CDATA[<p>Somebody shops at ~SkyMaaaaall~.</p>
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		<title>By: Roger Cicala</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17263</link>
		<dc:creator>Roger Cicala</dc:creator>
		<pubDate>Thu, 30 Aug 2012 02:03:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17263</guid>
		<description>Ron,

Excellent point about distance. We were at roughly 15 feet with the 50, which is why I believe the 35 was a better choice for comparison (I think it&#039;s a bit better close). At the time I thought perhaps the 50 close up was a resolution limiting factor. I&#039;m still not sure what the jpg / raw difference means, but I can say when I converted in Photoshop it was obvious the conversion was lightning quick compared to color files, which wasn&#039;t the case with Imatest&#039;s conversion in DCRAW, which is what got me thinking about this 

And please link away -- comments on this blog teach me more than anything else. That&#039;s a great link, if for no other reason than it&#039;s one of the few times I get Lens Envy. I wish I had one of those :-)</description>
		<content:encoded><![CDATA[<p>Ron,</p>
<p>Excellent point about distance. We were at roughly 15 feet with the 50, which is why I believe the 35 was a better choice for comparison (I think it&#8217;s a bit better close). At the time I thought perhaps the 50 close up was a resolution limiting factor. I&#8217;m still not sure what the jpg / raw difference means, but I can say when I converted in Photoshop it was obvious the conversion was lightning quick compared to color files, which wasn&#8217;t the case with Imatest&#8217;s conversion in DCRAW, which is what got me thinking about this </p>
<p>And please link away &#8212; comments on this blog teach me more than anything else. That&#8217;s a great link, if for no other reason than it&#8217;s one of the few times I get Lens Envy. I wish I had one of those <img src='http://www.lensrentals.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
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		<title>By: Roger Cicala</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17262</link>
		<dc:creator>Roger Cicala</dc:creator>
		<pubDate>Thu, 30 Aug 2012 01:57:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17262</guid>
		<description>Bryan,

It makes for a difficult comparison once you go to jpg: there&#039;s variation about how much sharpening is applied and there&#039;s the possibility of spurious resolution in some cases (although we saw none of the signs of it here). I can say jpgs are generally 25% to 40% higher resolution than raw files and these were way more than that. 

Until I hear back from the people at Imatest, and know exactly what&#039;s going on, though, I&#039;m not sure which numbers involving the MM are real. But looking at the image resolution I&#039;d say it&#039;s close to D800 anyway. Since it&#039;s a Leica camera, though, I&#039;m required to say it has a different look. But actually, it does have a different look. I don&#039;t know exactly how to describe it, but I think Black and White HDR is kind of a good description. 

Roger</description>
		<content:encoded><![CDATA[<p>Bryan,</p>
<p>It makes for a difficult comparison once you go to jpg: there&#8217;s variation about how much sharpening is applied and there&#8217;s the possibility of spurious resolution in some cases (although we saw none of the signs of it here). I can say jpgs are generally 25% to 40% higher resolution than raw files and these were way more than that. </p>
<p>Until I hear back from the people at Imatest, and know exactly what&#8217;s going on, though, I&#8217;m not sure which numbers involving the MM are real. But looking at the image resolution I&#8217;d say it&#8217;s close to D800 anyway. Since it&#8217;s a Leica camera, though, I&#8217;m required to say it has a different look. But actually, it does have a different look. I don&#8217;t know exactly how to describe it, but I think Black and White HDR is kind of a good description. </p>
<p>Roger</p>
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		<title>By: Ron</title>
		<link>http://www.lensrentals.com/blog/2012/08/mm-mm-good/comment-page-1#comment-17261</link>
		<dc:creator>Ron</dc:creator>
		<pubDate>Thu, 30 Aug 2012 01:49:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.lensrentals.com/blog/?p=9067#comment-17261</guid>
		<description>Roger, at what distance did you test the 50 Lux ASPH? My impression of the lens is it becomes a bit soft at closer distances and wide open and seems better optimized for farther distances unless stopped down a bit (as reflected by the f/2.8 numbers). But this wouldn&#039;t explain the huge difference in the RAW vs. Jpeg numbers.

Regarding Uncle Mike&#039;s question: Ming Thein did an MM vs. D800E comparison, but take what you will from it, as it&#039;s essentially also a comparison of the new super high resolving 50AA vs. the Nikon 45 f/2.8P. Not sure what your policy is to links, but this is his review: http://blog.mingthein.com/2012/05/27/leica-m-monochrom-vs-d800e/</description>
		<content:encoded><![CDATA[<p>Roger, at what distance did you test the 50 Lux ASPH? My impression of the lens is it becomes a bit soft at closer distances and wide open and seems better optimized for farther distances unless stopped down a bit (as reflected by the f/2.8 numbers). But this wouldn&#8217;t explain the huge difference in the RAW vs. Jpeg numbers.</p>
<p>Regarding Uncle Mike&#8217;s question: Ming Thein did an MM vs. D800E comparison, but take what you will from it, as it&#8217;s essentially also a comparison of the new super high resolving 50AA vs. the Nikon 45 f/2.8P. Not sure what your policy is to links, but this is his review: <a href="http://blog.mingthein.com/2012/05/27/leica-m-monochrom-vs-d800e/" rel="nofollow">http://blog.mingthein.com/2012/05/27/leica-m-monochrom-vs-d800e/</a></p>
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