A couple of years ago I gave a talk on the history of lens design at the Carnegie-Mellon Robotics Institute. The faculty members were kind enough to spend the day showing me some of their research on computer-enhanced imaging. I’m a fairly bright guy with a doctorate of my own, but I don’t mind telling you by the end of that I was thoroughly intimidated and completely aware of my own limitations. Continue reading →
We’re growing, which means, we’re hiring. Lenrentals is a fantastic place to work. We believe in working hard, having fun, and giving our customers the best possible experience. Our team members get great benefits, including health, dental, paid vacation, and 401(k), not to mention – FREE RENTALS! Continue reading →
When you run a rental house, you basically function as a torture-test lab for equipment. For many years I’ve put out a Repair Data list annually, showing which photography equipment is more likely to fail than others. I get asked to do the same thing for video equipment, but I usually just shrug and say it’s not necessary. I can sum it up simply.
If the product is new and exciting it will probably fail.
If the company is new and cutting-edge, the product will probably fail.
This sounds like a generalization, and it is. It also sounds like an exaggeration, and it’s not. New, cutting-edge video equipment from new, cutting-edge companies has an extremely high failure rate. For a lot of these products, nearly 100% fail within a few months. Continue reading →
The first post I made on sensor-stack thickness wallowed deeply in PhotoGeekery. This one is meant to be of practical use so I’ll try to leave the Geek stuff out. We’ll start with the simple facts.
1) There are several pieces of glass right in front of the sensor of every digital camera.
2) The thickness of this layer varies from less than 1mm to slightly more than 4mm depending upon the camera.
3) The thickness of the stack can affect the optics of a lens mounted to that camera.
There is some confusion on when this stuff matters so I’m going to attempt to accomplish two things with this post. First, we’ll do a general summary of when it might matter. Second, we’ll start a database of information that’s not readily available so those who are interested can come back to this page and find out if a certain camera-lens combination might have a problem. Continue reading →
Single glass piece from the sensor stack of a Canon (left) and Micro 4/3 (right) camera. Image credit Aaron Closz.
NOTE: This is a Geek Post. If you aren’t into geeky photo measurements, or into adapting lenses from one brand of camera to another, you’ll not be interested.
A year or two ago, I wrote a blog post where I basically showed lenses shot on adapters on other cameras aren’t acceptable for testing. If you run them through Imatest the results aren’t accurate. I suggested that reviewers shouldn’t test lenses on adapters, although obviously adapters are a great way to use interesting lenses to take pictures. Continue reading →
I doubt any of you remember it, but 1995 was the coming out party for Digital SLRs. There had been digital cameras before then. There had even been digital SLR cameras of a sort – modified cameras tethered to a hard drive — before then. But in 1995 camera makers released digital SLR cameras for the masses. Well, sort of for the masses. I think the masses were a few hundred people. Continue reading →
Well before our Imagemaster optical bench was delivered, I knew what I wanted to do first: compare some Leica lenses with the best SLR lenses on a level playing. I did one comparison involving Leica lenses a long time ago, but Leica lenses are difficult to test in our Imatest lab. It’s nothing to do with Imatest or the lenses; simply that mounting and aligning rangefinder cameras in a testing setup designed for SLRs is difficult and very time consuming.
That was a couple of weeks ago. Usually I have the write up done within a day or two of testing. But I’ve never processed and graphed this much data before — the optical bench generates a lot more numbers than Imatest. I tried a few things. I hated them. I tried some more. Finally I asked the good Geeky people who tend to read this blog to help out. I’m pleased to say over 40 people are currently working with another set of data, trying to help me find a good way to overcome my mathematical and graphical limitations to handle all of this data. But that’s going to take some time.
In the meantime, I still have a bunch of information about those 50mm lenses I want to tell you about. So I’ve decided to go ahead and post using the fairly crude methods I’ve come up with so far. Consider this a very preliminary effort since I hope the next set of tests we do will have a far better presentation. Please take it for what it is – a beta trial of a new technology we’re learning to work with.
OK, when I introduced our new optical bench, I mentioned that it generates a lot of data. We gathered data for a nice comparison test (I mean who wouldn’t want to know how the Zeiss Otus and Sigma 50mm f/1.4 Art stack up against some nice Leica 50mm lenses). Since then I’ve spent about 20 hours wading through data and trying different ways to present it. I’ll wallow through that article, but I can’t say I’m totally happy with my efforts.
A number of people have left posts that if I’d furnish them some raw data they’d take a shot at graphing and presenting it. Which seems like a wonderful idea, especially after I went cross-eyed over the holiday weekend trying it myself. So this morning Aaron collected a small data set that anyone who wants to play with is welcome to.