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Sigma 8-16 f/4.5-5.6 DC HSM for Nikon

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Sigma 8-16 f/4.5-5.6 DC HSM for Nikon

This is the first ultra-wide, rectilinear zoom lens with a minimum focal length of 8mm, designed specifically for APS-C size image sensors. The wide-angle of view from 121.2 degrees produces striking, extremely wide angle images with exaggerated perspective. It has a minimum focusing distance of 24cm throughout the entire zoom range, and an inner focusing system.

Four FLD (“F” Low Dispersion) glass elements, which have the performance equal to fluorite glass, compensate for color aberration. One hybrid aspherical lens and two glass mold elements give excellent correction for distortion and astigmatism. The Super Multi-Layer Coating reduces flare and ghosting and the lens lens incorporates HSM (Hyper Sonic Motor), ensuring quiet and high speed AF as well as full-time manual focus capability.

Only Works With: Dx sensor cameras

Roger’s take: I was told this lens was just a remake of the old Sigma 12-24 for full frame cameras, but there’s more to it than that, although the big bulging front elemen will certainly remind you of it. First and foremost, lets be clear: 8mm is significant wider than 10mm so I consider this lens somewhat different than the other ultra-wides. At 8mm you can get your shoes in the picture if you tilt the lens down just a bit. Its WIDE.

Its also quite sharp, especially in the center and especially at 8 to 10mm, which is probably what you’re getting this lens for anyway. More surprisingly it doesn’t have horrible barrel distortion at 8mm, which is pretty amazing. At the longer end its not quite as sharp, and at any focal length the corners and even the edges are a little mushy. Chromatic aberration is pretty well controlled too.

So I’m surprised: I expected to say it was a useful lens if you really want the widest you can get, but otherwise had a lot of weaknesses, which is what I said years ago about the 12-24 full frame lens. But really this one not only lets you get ultra, ultra wide, it can compete with all the other ultra wides from 10 to 20mm too. It gives up some aperture to most of the others, but except for that its very comparable to them. And from 8mm to 10mm, well there’s no comparison at all. This isn’t the lens for everyone, many people will never shoot this wide, but if you think you might, this is a great choice and I can recommend it without reservation.

Comparisons

Sigma 8-16 f/4.5-5.6 is the widest (and remember, 8mm is 20% wider than 10mm, so it’s a very real difference). Not quite as sharp in the corners as the others, and lower maximum aperture, but it’s really pretty good, especially considering it’s the widest of the wide.
Nikon 10-24 f/3.5-4.5G Shows a fair amount of barrel distortion at 10mm (note to self: never take girlfriend’s portrait with this lens) and doesn’t have the best corner sharpness of the group. Its got the largest range and is fast to autofocus, which makes it a great wide-angle walk around lens. If I was mostly going to shoot at 15-24 and occasionally shoot wider, this would be a great choice. If I was going to take lots of 10mm scenic shots, I’d probably look at one of the others – they’re a bit better at 10mm.
Sigma 10-20 f/3.5 has a bit more distortion than the others but delivers very nice images and is also built well. It does everything well.
Nikon 12-24 f/4G has exceptional center resolution and is very flare resistant, but does show some field curvature at 12mm @ f/4 the border quality is also impressive though a little less field curvature may be desirable at 12mm. Its a very good lens, maybe better than the competition, but not as much better as its price would suggest.
Tokina 11-16 f/2.8 gives you the widest aperture if you’ll be working in low light (with ultra wides, depth of field is rarely an important point), but it’s a bit soft at f/2.8, so the aperture advantage isn’t huge (I usually shoot it at f/3.5 if I can to get it sharper). It has very little vignetting and distortion, probably the least of the group. Unfortunately it does show quite a bit of chromatic aberration at times. Overall it may be the best image quality of the group.
Tokina 12-24 f/4 PRO is built like a sturdy tank (and therefore a bit heavier). Its a good lens but does tend to give low contrast images when shot into the sun and has a tendency to show some chromatic aberration when objects are backlit. This the one I’d take if conditions were rough: I pity the rock this bad boy falls on. Poor rock.

Try and Buy Program: Lensrentals is pleased that our friends at SuperdigitalCity have made a special offer for our customers renting this item and considering purchase. Simply email a copy of your Lensrentals receipt to SuperdigitalCity and they will email you back a coupon code good for $50 off of the purchase of the Sigma 8-16mm lens.

Specs:

Filter Size
rear gel
Aperture
f4.5-22
Length
4.2”
Diameter
3.0”
Weight
1.9 lb.
Hood
Built-in
Minimum Focusing Distance
0.8 feet
Maximum Magnification
.13x
Angle of view: (crop frame)
114 to 76 degrees
Zoom method
Barrel extending (slightly)
Image Stabilization
NONE
Focusing System
Internal, A/MF switch, full-time manual, hypersonic motor
Aperture Blades
7 curved
Max Aperture@focal length
f/4.5@8mm; f/5@9-13mm; f/5.6 > 13mm
Groups/Elements
11/15
Low Dispersion Elements
4
Aspherical Elements
2
Weather Resistant
No
Flare Resistance
Mild ghosting, mild to moderate loss of contrast

Links:

MTF Chart:

Red lines indicate 10 lines/mm; green lines 30 lines/mm. Solid lines are Sagittal, dotted lines meridional.

If you are bored and don’t understand MTF charts, you can read about them HERE

Lens Construction:

Pricing

LensRentals.com offers rentals of every length between 4 and 90 days. Some common selections are:

Rental Period Price Day Rate
4 days $33.00 $8.25 per day
7 days $44.00 ~$6.29 per day
10 days $59.50 $5.95 per day
14 days $77.00 $5.50 per day
21 days $103.50 ~$4.93 per day
30 days $129.75 ~$4.33 per day
45 days $169.50 ~$3.77 per day
60 days $198.00 $3.30 per day
90 days $255.25 ~$2.84 per day

The shopping cart will automatically update the quoted price as you adjust the length of your rental.

LensRentals also offers an optional damage waiver on this product, limiting your expense should it get damaged while in your possession.

Rental Period Waiver Price Total Price Day Rate
4 days +$9.00 $42.00 $10.50 per day
7 days +$12.00 $56.00 $8.00 per day
10 days +$16.25 $75.75 ~$7.58 per day
14 days +$21.00 $98.00 $7.00 per day
21 days +$28.25 $131.75 ~$6.28 per day
30 days +$35.50 $165.25 ~$5.51 per day
45 days +$46.25 $215.75 ~$4.80 per day
60 days +$54.00 $252.00 $4.20 per day
90 days +$69.50 $324.75 ~$3.61 per day

Shipping

LensRentals.com ships via UPS 2-day service, unless your rental requires faster shipping. Return shipping is included in the shipping price, and we include a prepaid return label with your order—all you need to do is bring it to a UPS drop-off location when your rental is complete.

The shopping cart can automatically quote shipping, even for multi-item and oversize orders. Shipping multiple items together offers significant savings over shipping them individually.