Lenses and Optics

MTF Testing the Canon 85mm f/1.4 L IS

The King is Not Dead

The Canon 85mm f/1.2 II lens, the king of creamy bokeh, is basically a 40-year old optical design first released in 1976 (in FD mount) and released as an EF mount lens after some slight optical modification in 1989. The “II” version, released in 2006, was an electrical/mechanical change only, the optics remained the same. That’s an amazing run for a photography lens. It was designed in the early 1970’s and is still used frequently today.

But even those of us who love the lens (and I’m one of them) admit it has shortcomings and isn’t a great ‘everyday’ 85mm prime. Autofocus is slow enough to limit its use in many situations. Even stopped down, it’s not a sharp lens by today’s standards. It’s a rather heavy lens (as we say, there’s not much air in there). And because of its design (the internal optics and mechanics are a single part), most repairs are breathtakingly expensive ($1,100 is the norm for anything other than a front or rear element scratch).

So Long Live the New . . . . Prince or Something.

Canon 85mm f/1.4L IS MTF Testing

So we have, many of us, waited not-all-that-damn patiently for Canon to release a modern, fast-focusing 85mm L lens. Many wanted an updated f/1.2. Others just wanted the sharpest 85mm lens on the planet. At least a significant minority wanted it to have Image Stabilization. And they wanted it to be about the same size as the Canon 85mm f1.8.

Canon has heard our pleas and has answered some of them with the Canon 85mm f/1.4 L IS USM lens. It’s slightly lighter than the f/1.2, and 0.4 pounds lighter than the Sigma 85mm f/1.4 Art. It has an easy-on-the-pocket 77mm front diameter, compared to 86mm for the Sigma. And it’s price, while not cheap by any means, is fairly reasonable at $1,600. That’s about the same as the Nikon 85mm f/1.4G AF-S, $500 more than the Sigma 85mm f/1.4 Art, but a few hundred less than the Canon 85mm f/1.2L II or the Sony FE 85mm f/1.4 GM.

I usually tell you what I’m going to tell you first, so you don’t have to read the whole article if you don’t want to. In the case of this lens, I wish I was one of those click-bait headline review sites that gave each lens a number grade. Depending on how I valued the various categories of assessment I could just as easily say ‘this lens rated 89.534; our highest score ever‘ or ‘this lens rated 56.497 and is a huge disappointment‘. I suspect you’ll find that kind of extreme commentary on various internet sites.

So what do I really think? The Canon 85mm f/1.4 L IS is going to disappoint the Fanboys wanting bragging rights for the absolute best resolution in an 85mm lens. But after all the dust settles, it’s going to be an immensely popular lens because it’s very good optically and just superbly usable.

It may not give you the creamiest or sharpest image possible, but it will get reasonably high marks for both. It nails autofocus quickly and easily and the IS works superbly well. Basically, if you have enough light to see it, you’ll be able to photograph it. It’s reasonably sized and easy to handle.

If you shoot 85mm with wide aperture primes frequently and outside the studio, and want a high ‘keeper rate’, you’ll want this lens. If 85mm is a specialty lens for you, then you might prefer a different lens that emphasizes that special feature you’re looking for.

So, What About the Optics


We did our usual 4-rotation MTF (Modulation Transfer Function) tests on ten copies of the lens. The MTF was good, but not outstandingly good at f/1.4. It maintains excellent sharpness away from the center, but shows some astigmatism-like separation of the sagittal and tangential lines in the outer 1/4 of the image.

Olaf Optical Testing, 2018

This is a huge MTF improvement over the Canon 85mm f/1.2L II lens. (The f/1.2 doesn’t get all that much better at f/1.4, BTW, especially away from the center. But more on that later.)

Olaf Optical Testing, 2018

The new Canon is not as good as the current resolution champion Sigma 85mm f/1.4 Art lens, either in center or off-center resolution.

Olaf Optical Testing, 2018

But the Canon is quite good. It more than holds its own in comparison with the Sony FE 85mm f/1.4 GM or Nikon 85mm f/1.4 G lenses, both of which are considered excellent.

Compared to Sony FE 85mm f/1.4 GM

Olaf Optical Testing, 2018

Compared to Nikon 85mm f/1.4 G AF-S

Olaf Optical Testing, 2018

The 85mm f/1.8 Options

People always ask for these, although I have no idea why. If you don’t need a f/1.4 aperture why are you considering spending way more money on a f/1.4 lens? But the graphs below compare the Canon f/1.4L IS  at f/1.4 to the f/1.8 lenses.

Compared to Canon 85mm f/1.8

The 85 f/1.8 is decent in the center, but outside the middle 1/3 of the image, things aren’t close.

Olaf Optical Testing, 2018

Compared to Tamron 85mm f/1.8 many letters VC

The Tamron VC, which is a very nice lens, is about the same at f/1.8 as the Canon is at f/1.4. And OK, I do admit I understand why this comparison; a low-light shooter might be choosing for image stabilization over everything else. But again, if you don’t need f/1.4 . . . . .

Olaf Optical Testing, 2018

A More In-Depth Look

Field Curvature (MTF v Field v Focus)

The field curvature plots tell us a lot about the lens. In the upper left corner is the ‘average’ field and you’ll notice it’s pretty flat, so you can keep everything in focus from one side to the other. But if you look at the separate sagittal and tangential fields (lower two plots) you’ll notice they are both slightly curved; the sagittal in a shallow ‘M’ shape, the tangential in an even more shallow ‘W’.

Olaf Optical Testing, 2017

If you look back at the purple areas in the ‘average’ graph, now you notice that it’s slightly dumbbell-shaped. That’s because off-axis the difference between the ‘M’ and ‘W’ is an area of astigmatism that won’t go away. You can try as you like, but you’re not going to get rid of the astigmatism in that area.

The ‘difference’ graph in the upper right shows you two significant areas where astigmatism is fairly noticeable (the red and blue patches). Bokeh in these areas is going to be a little misshapen or busy. Notice they are just barely out of focus (the “0” on the Y-axis). Further out of focus everything gets blurry and smooth. So the takeaway is to make sure your out-of-focus highlights are well out of focus, not just barely out of focus. OK, the real takeaway is the bokeh-masters online will enjoy hours of arguing about whether the bokeh is great or awful. It will depend on the shot.

As an aside, if you wonder about the new color scheme for the field curvature graphs, it’s supposed to be just as visible to color-blind persons as those with full-color vision, so we thought we’d switch over to it. OK, you’re right, mostly I think it looks cooler.


For those of you who liked the experimental stuff we are doing with best individual focus MTF (BIF) and best average focus MTF (BAF), well, this lens makes those unnecessary. The very flat average field (see image below) means when you focus in the center (or anywhere else) everything at that distance is already in focus. So the best individual focus MTF is about the same as the standard MTF.

Olaf Optical Testing, 2017


Because of the off-axis astigmatism, best average focus point doesn’t make much difference either. The best sagittal focus (orange line) bulges forward, while the best tangential focus position (green line) heads the opposite way. The best average focus is right in the middle, again about the same as best center focus.

Olaf Optical Testing, 2018

So our fancy program is useless, but that’s a good thing; it makes shooting in the field easy. Best center focus is best individual focus is best overall focus. Not many lenses are designed that way.

As to performance, you have near-center sharpness to about 6mm from center (1/3 of the way to the edge). For the middle 1/3 of the image, sharpness remains excellent although it does drop off slightly at higher frequencies (fine detail). In the outer 1/3, there is going to be some astigmatism and it won’t change no matter how you adjust focus.

The sum total of all of this is that the Canon 85mm f/1.4 L IS is very easy to use accurately. You don’t have to worry about field curvature at all and wherever you focus you’ll get good sharpness across the field. Whether this contributes to the very accurate autofocus many people have observed with using this lens, I don’t know, but it can’t hurt.

Stop Down Tests

We’re going to start showing stop-down MTFs on all lenses going forward. These aren’t done on all 10 lenses, we just pick an average copy and run stop-down MTFs on that one, so you may notice some minor irregularities that our averaged MTFs don’t show.

First let’s compare the two Canon 85mm L lenses at f/2.8, which is where the f/1.2 (on the left) starts to get sharp. The new lens, as you would expect, is still sharper both on and off axis.

Olaf Optical Testing, 2018

Next, we’ll stop the 85mm f/1.4 L IS lens down to f/5.6 and compare it to f/2.8. As an aside, you may notice I flipped focus from tangential to sagittal on this one, trying to do a couple of experiments at once, but it illustrates what I mentioned above about astigmatism. The takeaway message is that by f/2.8 this lens is near maximum sharpness and maintains it at least to f/5.6.

Olaf Optical Testing, 2018

One more comparison for the “all lenses are equal stopped down” crowd. Here is the Canon 85mm f/1.8 at f/4, its sharpest aperture, compared to the Canon 85mm f/1.4 L IS at f/2.8. Even at a wider aperture, the L is much better both on and off axis.

Olaf Optical Testing, 2018


The Canon 85mm f/1.4 L IS is a very consistent lens, both in center sharpness and side-to-side variation. The comparison graphs below shows the Canon (top left), Sigma (top right), Nikon (bottom left), and Sony GM (bottom right) 85mm lenses. The Canon has the least variation overall.

Olaf Optical Testing, 2018

While we still don’t feel our variance number is the end-all measurement, it’s the best thing we have right now. For what it’s worth, we consider good primes to have variance numbers of 40 or less.


Zeiss Milvus 85mm f1.429
Canon 85mm f1.4 L IS31
Zeiss Otus 85mm f/1.432
Sigma 85mm f1.4 Art40
Nikon 85mm f/1.4G AF-S35
Tamron 85mm f/1.8 VC47
Sony FE 85mm f/1.4 GM61
Canon 85mm f1.865

To give you a bit more intuitive look at how much of a difference that is, we’ll compare full-frame display resolution thumbnails of 9 copies of the Canon 85mm f/1.4 IS with 9 copies of the Sony FE 85mm f/1.4 GM. This is a really consistent performance from the Canon.

Olaf Optical Testing, 2018

Olaf Optical Testing, 2018

So What Did We Learn Today?

This is a lens where the designer has focused on being very good in as many situations as possible rather than obtaining the highest possible MTF. It’s apparently designed for the person who uses 85mm in a lot of different situations; especially in low light situations.

It’s very sharp, the field is designed to get good focus no matter where you focus, and all reports indicate that the focusing is quick and accurate. If you take a ton of shots, your keeper rate is going to be exceptionally high. And if you shoot in poor lighting with an 85mm it will be amazing compared to almost anything else available in Canon mount.

As I said earlier, if you have a specialty use for an 85mm prime, you may want something else. The Sigma Art and Zeiss Otus have slightly higher resolution. The Tamron 85mm f/1.8 VC is a good choice if you primarily want image stabilization and don’t need f/1.4. The Canon f/1.2 still is a unique optic with a look that’s quite different.

This lens does everything well and one thing (low light) exceptionally well. It’s the decathlete of 85mm lenses.


Roger Cicala and Aaron Closz


January 2018 (hey look, y’all, I got the year right and it’s not even March yet!!)


Addendum: I’ve been asked twice if the Sigma is still sharper than the Canon at f/5.6 and the answer is insignificantly, if at all. They’re almost identical at f/5.6.


Addendum II: There is a really good article Canon put out about the background of designing this lens HERE. Be sure to read Part II.

Author: Roger Cicala

I’m Roger and I am the founder of Lensrentals.com. Hailed as one of the optic nerds here, I enjoy shooting collimated light through 30X microscope objectives in my spare time. When I do take real pictures I like using something different: a Medium format, or Pentax K1, or a Sony RX1R.

Posted in Lenses and Optics
  • mclaren777

    Thank you so much for doing such a thorough test.

  • JosephAndrews

    NIce find (and explanation), Adam.

    I presume the D-shaped bokeh disappears with the same lens attached to a mirrorless camera?!

  • HenWin

    Thanks…I had no idea.

  • I was discussing this just yesterday. I’ve definitely noticed that my corners occasionally lose a bit of sharpness when using IS, so I tend to leave my IS off most of the time.

  • kirkmoon

    I played around with this a bit over the holidays and the above comments are in line with what I discovered. The mirror box cutoff is rather annoying when it occurs and once you are aware of it it is hard to NOT see it, but it only occurs as described above. I could reduce or eliminate it by either increasing the distance between the subject and the point light sources behind the subject OR by stopping down a bit. The phenomenon is pretty much gone at f2.8.

  • Max, two different copies. I made the vs Sigma graph later by request.

  • Max Manzan

    Ok, I see.
    On a more serious note, I notice that your MTF curves for the Canon 1,4/85mm IS at f/5.6 look different in the two graphs “Canon IS f/2.8 vs Canon IS f/5.6” and “Canon IS f/5.6 vs Sigma Art f/5.6”. Is that the same copy of the Canon IS which was focused a bit differently?

  • HenWin

    I have not finished the article, but one question popped into my head in the first couple of paragraphs: does MTF still mean “Mean time to failure”? Please explain what it means if that’s not it. It would be helpful if you would not use abbreviations without explaining them.

  • Miros?aw St?pi?ski

    Adam, you ruined half of my life by showing this. ? Once you see it, it cannot be unseen, I keep noticing it everywhere.

  • Unfortunately our choices are infinity or macro distances. That’s all we can test.

  • Max Manzan

    Exceptionally informative article, thank you very much!
    Now you only need to systematically perform close-range MTF measurements also on non-macro lenses, and than you’ll have the perfect lens test! ?

  • Thank you! Crowd source proofreading > > editor. 🙂

  • Mahmoud Darwish

    And thanks for the reviews, I really enjoy reading them

  • Mahmoud Darwish

    Another typo “One more comparison for the “all lenses are equal stopped down” crowd.
    Here is the Canon 85mm f/1.8 at f/4, its sharpest aperture, compared to
    the Canon 85mm f/4 L IS at f/2.8.” f/4 instead of f/1.4

  • We have to test with it off and locked. Otherwise without power it jiggles when the machine moves ruining the test.

  • Adam Sanford

    Is there any way to perform your test method with the IS both on and off and compare the output?

  • That’s a complex subject. The stabilizer is an optical element and I’m told in lens design it sometimes is a trade off between IS and absolute sharpness. Given a lens with IS you are moving that optical element so it’s theoretically possible that some images are less sharp away from center just because of the random ‘where the IS happens to be’ factor. Whether it happens, or how frequently, I can’t say other than ‘obviously not often’.

  • Brian F Leighty

    Yeah I’d agree with you if I had issues with focus but I don’t. Don’t have any with my 35 art either. Never tried on the mark iii though tried on mark ii and mark iv and both 6ds with no issue though

  • Adam Sanford

    Uncle Rog, there’s a perception out there that IS can affect sharpness. Anything to that? Any difference in performance with the IS on vs. off?

  • Adam Sanford

    I’d go with the L for sure here. I’d take AF reliability/consistency + IS over a very small sharpness delta every single time.

    With the 50s, it’s a tougher call, as the sharpness delta between the L and the Art is night and day and the 50L plane of focus is nutty beast. But here at 85 (and also at 35), I’d pay the money for the Canon just for first party AF you can hang your hat on.

    Uncle Rog: AF hit rate database! Please please please.

  • Adam Sanford

    Lots of examples of this with the 85 f/1.2L II as I said, see here from a recent PP article — it’s kind of hard not to see once you see it.


  • Adam Sanford

    Far bokeh (say 30+ feet, not infinity or anything) — almost no clipping occurs. Nearly all are full bokeh balls. https://uploads.disquscdn.com/images/77d95088e59dbd62c53798a86a57d5373eacf088fe7e95452332e555ec0c3436.jpg

  • Adam Sanford

    Close bokeh (say 15 feet, not MFD or anything) — note the clipped D-shaped bokeh. (This happens with the 85 f/1.2L II for the same reason, I believe.) https://uploads.disquscdn.com/images/daf5eaf8badb4532f7847deb602b9b658a5a076cde8544b7701e3b8eb78e4eb2.jpg

  • Adam Sanford

    Just rented the 85 f/1.4L IS from LR actually (it’s in transit back to Tennessee as we speak). Used it on my 5D3 over the holiday.

    Pros: Wonderfully sharp + internal focusing + it’s no longer FBW like the 85 f/1.2L II + **the AF. is. simply. impeccable.** Prior large aperture rentals from LR of the Sigma 35 Art and Canon 50L — despite careful dock/AFMA work and militant technique — had woeful wide open AF hit rates due to inconsistent not-AFMA/dock-correctable whiffing on my 5D3. This 85, however, was fire and forget good. Absolutely stellar.

    Con: Mirror box clips the bokeh balls in some cirumstances, i.e. I believe the mirror box is smaller than the wide open iris of the lens, so the mirror box serves as a *lovely* bokeh template/spoiler to turn your bokeh balls into D shapes. Doesn’t always happen — I’ll post two samples in a sec.

  • Geeky, I absolutely pushed the wrong button on that plot – thank you. I’ve corrected it and the accompanying table.

  • Roger Cicala

    Geeky, absolutely wrong plot. I pushed the right button this time and corrected that and the attached table. Thank you.

  • Thank you for this review!

    The bottom left plot in the “variance” section says it is for the Nikon 24mm f/1.4. Is this a typo in the title, or was the wrong plot included?

  • Nice. This is a helpful.

    I’ve always used Marco Cavina’s MTF data comparing the Zeiss 85/1.2 with the FD & EF versions, but, of course, this is more detailed in every way and involves multiple copies.


  • Brian F Leighty

    Great article as always Roger. Looking at TDP it looked like the Sigma was a little sharper and your results confirm it. I’m glad I bought my Sigma last spring. I agree that a lot of people will like this lens for it’s all around and if the price were the same and I was to choose now I’d choose the Canon but with the price difference and slight optical edge it’s a much tougher choice.

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