Equipment
The Panasonic GH5 really forced a change in the way I think about the term “video camera.” For me and the way I’m shooting these days, it bridged a gap existing between the compromise of a lightweight DSLR/mirrorless camera or a cumbersome cinema camera. The GH5 was a camera that looked too good to be […]
Equipment
As we mentioned in our recent article showing off the Most Rented New Products of 2017, people love the Panasonic GH5; and our video techs love it too. With 4:2:2 10-bit in 4K, you’d be hard-pressed to find a better video camera in a smaller package. But this year at the Consumer Electronics Show, Panasonic surprised […]
Equipment
Video imaging techniques historically, have been a battle of compromise between quality and price point but the prosumer digital video market is finally showing signs of bargaining power. In terms of image quality, raw offers unparalleled advantages because you are capturing sensor data rather than the video stream it produces, however, turnaround time or budget […]
Equipment
A month or two ago, I wrote an article about the fundamentals of lighting and discussed core lighting techniques used for both photo and video to better understand artificial light both in a studio or on location. Continuing the trend, I wanted to answer the question that so many people will often call and ask […]
Lenses and Optics
Good day! And welcome to our first Cine lens MTF comparison. If you aren’t familiar with what we do here, I suggest you take a glance at our previous post on why we’ve started testing Cine lenses. For those of you who haven’t been here before, let’s be clear about what this is not. It […]
