Equipment
As a videographer, it’s easy to forget about Sony’s A-Mount. Still, I recognize that I owe a great deal of respect to the previous Minolta line. In its prime, Minolta developed several revolutionary functions that are often taken for granted today. Minolta’s Single Lens Reflex (SLR) technology was acquired by Sony in 2006, and the […]
Equipment
Every year the National Association of Broadcast (NAB) holds their conference in Las Vegas, netting over one hundred thousand attendees, and those lucky enough to attend, get an exclusive look into the upcoming gear and tech within the video market for the next year and beyond. In layman’s terms, this is where the newest gear […]
Equipment
To be perfectly honest, this article started purely as an excuse for me to play with a carbon fiber 8K RED Weapon. I figured I’d take it out for a weekend, shoot some footage, melt my computer trying to edit it, write a hands-on review, and be done with it. Gradually, though, I realized that […]
Geek Articles
One of the most common questions I get from video customers is, “What do 10-bit 4:2:2 and 8-bit 4:2:0 actually mean?” The explanation can get pretty technical, so it’s easy to default to the opinion that higher numbers equal better footage. That’s true in a sense, but following that logic leads to another common question: […]
How To's
I was introduced to the benefits of interview transcription a surprisingly long time after I’d started learning about documentary filmmaking. Tired of introductory-level film classes and spending hours discussing editing theory between screenings of Koyaanisqatsi, I decided to take a Journalism 101 course in the hope of gaining some actual, practical knowledge. The first thing […]
