![]() If you aren’t sure what this is, you don’t want it. Released to rave reviews, the Mark II version of Canon’s 24mm Tilt-Shift lens has several marked improvements over the previous version. The most dramatic change is the tilt and shift axes can be independently rotated between themselves and the camera body, rather than remaining at 90 degrees as the previous version (and all other tilt-shift lenses) required. There are also multiple aspherical and UD glass elements, curved aperture blades, ‘sub-wavelength’ coatings, and virtually everything in the lens-design book. Roger’s Take: This lens is amazingly sharp, amazingly wide, has absolutely no chromatic abberation, and is exceedingly well built. The new Canon TS-Es are as good as anything available in the genre. You can tilt, shift, and change the planes of each relative to each other. If you have tilt-shift experience, this lets you do remarkable things. If you’re tilt-shift challanged (this would be me) you can still do remarkable things- once. Then you can spend the next two hours figuring out how you did that. To be honest, both the 24 f/3.5 and 17 f/4 TS-E lenses are so sharp, I sometimes take them in place of another prime to shoot as regular lenses- they’re just that good. Then you can do the tilt-shifty thingamabob and get some really amazing depth of field, slam home a quick panorama, straighten up tall buildings, or just get a very cool effect. Specs:
Links:MTF Chart:
Thick lines: 10 lines/mm; thin lines: 30 lines/mm. The darker black lines represent the MTF characteristics at maximum aperture; the blue lines at f/8. The solid lines trace the radical S (sagittal) curve, while the broken lines trace the tangential M (meridional) curve. If you are bored and don’t understand MTF charts, you can read about them HERE Lens Diagram:
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