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A Little More Sigma 200-500 Fun
SigZilla is gone now. You’ll be able to see it’s work in action if you watch the World Series. I wouldn’t be surprised if you might not catch an image of it.
Before it left, though, we were able to (with a great deal of difficulty) get it mounted in the lab and run one basic Imatest series.
When it returns, we’re hoping we can cooperate with a lab with a more robust set-up to get it more thoroughly tested. We were able to get one good series at 330mm focal length, 8 meters testing distance and f/2.8. From everything we’ve seen, the lens is sharper at longer distances, but hey, the lab is only so big.
Even given the limitations, the performance was excellent corner-to-corner. Sigzilla had an MTF 50 (in line pairs/image height, raw image) of 770 center, 630 average, and 550 in the extreme corners. For comparison, the Canon 300 f/4 IS measures at 730 / 670 / 525 at f/4 and the 300 f/2.8 IS at 830 / 710 / 590 at f/2.8. So we do get superb performance for our $26k.
We found one other thing rather amusing. A normal zoom lens zooms by turning a barrel that has helical grooves in the sides: rotating the barrel moves the zoom element forward and backwards. The elements in the Sigzilla are so huge that such an arrangement just wouldn’t work. Instead the zoom element is mounted to rods inside the lens, one of which is a screw driven by an electric motor. The screw drive moves the element forward and backward.
It’s quite accurate and reasonably quick both for AF and MF. But it’s rather impressive and a bit noisy. Excuse the lighting — it’s dark up in there.
All I could think of looking into that front element during the zoom was – –
HAL 9000: “Dave, this conversation can serve no purpose anymore. Goodbye.”
Roger Cicala
Lensrentals.com
October 2012
Author: Roger Cicala
I’m Roger and I am the founder of Lensrentals.com. Hailed as one of the optic nerds here, I enjoy shooting collimated light through 30X microscope objectives in my spare time. When I do take real pictures I like using something different: a Medium format, or Pentax K1, or a Sony RX1R.
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