How To's

Photography Fundamentals – How Shutter Speed Changes Your Photos

Published July 25, 2020

Last week, I spoke to you about aperture, and how it correlated with the exposure triangle, and how aperture changes your images’ depth of field. That article was just part one of a three-part series that goes over the fundamentals of the exposure triangle, and how each of these settings changes different aspects of your images. Today, we’re going to do a quick overview of shutter speed, the second corner in the exposure triangle, and how it will alter your images. But first, let’s do a refresher on the exposure triangle again.

What is the Exposure Triangle

Of the hundreds of different settings and features within your camera, three of them stand out as the fundamentally most essential features – Aperture, Shutter Speed, and ISO. These three settings are the foundation of your image, and each of them will affect your pictures’ exposure. Because of this, they work in correlation with each other and make up the exposure triangle. This means that if your image is too dark, you can adjust that by changing any three of these settings. However, while all three of these settings will adjust your exposure, they also will have other changes within your images. Last week, we spoke about how changing your aperture will also alter your depth of field, and today, we’ll talk about what shutter speed does to your images beyond just exposure changing.

How Shutter Speed Works

The easiest way to describe shutter speed is to make the same correlation to the human eye that we made with aperture. Where aperture is essentially the size of your pupil changing in dark and light environment, shutter speed can be best described as freeze-framing a moment in time through blinking. For example, if you were to close your eyes and then open them quickly and close them again, you’re working your eyes the same way as a camera shutter might. Opening them for 1/20th of a second, processing the scene in front of you, and closing them again is what a camera sensor will do when it is set to a shutter speed of 1/20th of a second.

Shutter Speed Diagram

In short, shutter speed changes the amount of time that light will hit your sensor to process an image. A slower shutter speed will allow for more light to pass through to the sensor, allowing you to shoot in darker environments, whereas a faster shutter speed will be open for a shorter amount of time, and let less light into the sensor. All shutter speeds are measured using seconds and fractions of seconds. A shutter speed such as 5″ is 5 seconds, and a shutter speed of 1/100th is 1/100ths of a second. Most cameras allow for you to shoot as quickly as 1/8000th of a second, and as long as you could possibly need (usually identified as Bulb mode).

Fundamentals of Shutter Speed

Where shutter speed differs from the human eye is in the processing of information. When shooting photography, you’re getting a still frame of a scene. Your eyes, however, are processing information in real-time, much like a movie. When you pull a still frame from something like a movie, you don’t always get a sharp image. Standing on the side of the road and staring ahead would show a car passing by as a colored blur. Taking a still image from that memory, you wouldn’t be able to identify that cars make or model. However, if you were to track the car with your head, it’s very easy to make out the subtle details of the car’s body.

Photo by John David Pittman. Used with Permission

So let’s talk about how to ensure you have a sharp image. Sharpness in photographs has many variables, but the most important of those variables is your shutter speed. Most objects are moving, whether it’s your friend in a portrait session, a car passing by, or even a flower blowing in the wind. But you’re also moving, through just subtle shaking of your hands as you hold your camera or even just the rhythm of your body as you breathe in and out. To combat this movement, you’ll want to make sure you have the correct shutter speed to help freeze the frame. To increase the likelihood of having a sharp image, you’ll want to set your shutter speed to be no slower than the focal length you’re shooting at. For example, if you’re shooting at 50mm, you’ll want to have a shutter speed of 1/50th of a second or faster (1/80th, 1/125th, etc. etc.).

These numbers can alter based on systems like Image Stabilization, and each lens with Image Stabilization can provide a varying amount of correcting for camera movement. Check with your lens to see how many additional stops of stabilization your IS system offers. However, there is really no disadvantage to shooting at a high shutter speed if available. It’s the one sure way to make sure your images are sharp.

Shutter Speed and Movement

Using what is described above, you are able to adjust your shutter speed to show movement in photos. When tracking an object, for example, you can lower your shutter speed, and get a background showing movement, while your subject is still in focus. An example of that is below.

Shutter Speed Explanation

With proper practice, you can slow your shutter speed down to show some movement in the photo, while still getting the intended subject in focus. As another example, architectural photographers will often use this technique to show some movement in the building around them, either with traffic or through the movement of the clouds above, to achieve additional points of interest in the photograph.

Photo by Dylan Patrick Photography. Used with Permission


And that about covers the fundamentals of shutter speed, and how it can be used to both add sharpness to your images, as well as movement. Tune back in next week, as we cover the final portion of the exposure triangle – ISO. And if you missed last week’s article on aperture, you can read it here.

Author: Zach Sutton

I’m Zach and I’m the editor and a frequent writer here at I’m also a commercial beauty photographer in Los Angeles, CA, and offer educational workshops on photography and lighting all over North America.

Posted in How To's
  • Professional Photographer

    You did well on this article, but sadly I agree with Lynus. Producing content for content’s sake (or click’s sake, or whatever) is one huge thing that is wrong with the Internet today.

  • dsut4393

    I think by pitching the articles to complete novices you’re severely mis-judging the typical audience of this blog. If you’re after a new audience for whom this level of content is appropriate, why? It’s been done better a million times over already, there’s nothing actionable in this article that wasn’t in books I took out of my high school library in the 1980s (IS didn’t exist then, but you don’t give any information about when or how to use it).

  • DislikeATT

    My A9ii has no such limitations!!! Lol

  • denneboom

    I am not bashing. I use efcs on my A7 all the time. But there are limits you need to be aware off.Especially shooting fast action.

  • denneboom

    Maybe in a different article then. Curious about the sync speed you mentioned.My gx7 wouldn’t even let me use the flash if I had the electronic shutter on.

  • Fear not, nothing is being thrown by the wayside. The eos R5/A7SIII won’t be available for a few weeks, and we won’t be able to take one apart until we have one arrive back from an order damaged, but I’m sure we’ll have a teardown when that comes.

    Until we have articles like that available, we try to produce content that is useful and way too understand by our readers of all skill levels… But we have no intentions in stopping our teardowns or MTF testing.

  • Lynus

    With all due respect I think you guys have a lot of very interesting technical information that would make for much interesting reads than articles like these which have been done many times. No doubt this is very well written and easier to understand than most I have seen so no criticism meant but mtf tests, new body tear-downs (love to see how the A7Riv body withstands the elements as compared to the previous gen (also R5 heat dissipation vs a7siii when those bodies are readily available)) are fascinating articles that I would hate to see thrown by the wayside in favor of these.

  • DislikeATT

    Always someone trying to bash electronic shutters . Get over it …technology is advancing stay with the program or become a dinosaur ?

  • Trying to keep this series of articles as simple and fundamental as possible.

    Electronic shutters also have a lot of advantages – particularly when you look at the life of the shutter, as well as flash sync speeds

  • denneboom

    I see a missed opportunity to talk about electronic shutters and their disadvantages.

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