Canon EOS C300 Mark II Dual Pixel (EF)
The Great Flange-to-Sensor Distance Article: Part 1 — Cine Cameras
## Part 1: EF and FE Mount Cine Cameras Consider, if you will, the fate of Poor Ben. Unbeknownst to Poor Ben, Aaron and I had started experimenting with measuring the flange-to-sensor distance of various video cameras, since we found that it varied more than, well, more than we had thought it…
First Impressions of the New Canon C700
I’ll preface this piece by saying we’re still waiting for a lot of the equipment for the Canon C700 to be available, so it’s only fair to call this more of a First Impressions than an actual review. However, Canon’s C700 is a highly-anticipated product, so I thought I’d take a barebones kit out for…
What is Color Depth and Why Is It Important for Video?
One of the most common questions I get from video customers is, “What do 10-bit 4:2:2 and 8-bit 4:2:0 actually mean?” The explanation can get pretty technical, so it’s easy to default to the opinion that higher numbers equal better footage. That’s true in a sense, but following that logic leads to…
Hands On With The Panasonic Varicam LT
Panasonic’s new Varicam LT is basically a lighter-weight, more compact version of their Varicam 35, which has seen relatively wide adoption since its introduction in 2014. Weighing in at 6 pounds (body only) the Panasonic Varicam LT is a capable alternative for applications such as gimbal work or…