Lenses and Optics

Just the Lenses: Tamron 15-30mm f/2.8

Published February 24, 2015

Our Just the Lenses posts are optical tests where we compare various lenses on the optical bench. Unlike DxO or Imatest test results, no cameras are involved, eliminating one of the major variables. It’s particularly useful when we’re looking at third-party lenses that can be used on various cameras. It’s hard to extrapolate the results of a test made using a third-party lens on a Canon 5D Mk III when you are trying to determine how it might compare to one shot on a Nikon D800, for example. Testing on the optical bench gives a direct comparison between lenses without any other variables.

We’ve been quite interested in the new Tamron 15-30mm f/2.8 Vi DC USD, and since we already had optical bench results for two very similar brand name lenses (the Canon 16-35mm f/2.8 L Mk II and the Nikon 14-24mm f/2.8 AF-S) we thought it would make a good candidate for a Just the Lenses test.

 

Roger Cicala, Lensrentals.com, 2015

Tale of the Tape

The Tamron 15-30mm f/2.8 feels heavy and solidly built. Like the Nikon, its hood is built-in, which has advantages and disadvantages. Since it’s always on, it’s always providing protection, and it’s built more solidly than a simple hood. But if you lose the lens cap you can’t just buy a temporary replacement at the local camera store; you have to buy the special cap that fits over the hood. Not to mention if you break one of the petals it requires a trip back to factory service to be replaced.

Like the lens itself, the focus and zoom rings feel very solid. There’s no loose sloppiness in this lens, unlike some other third-party wide angles. But some may find the resistance a bit higher than they’re used to; there certainly is more resistance when zooming or focusing than with either the Nikon or Canon wide-angle zooms. Some will like it better. Some won’t.

Other factoids about the three lenses are listed below.

  Nikon 14-24 f/2.8 Tamron 15-30 f/2.8 Canon 16-35 f/2.8
Price$1,797$1,199$1,699
Weight (lb)2.22.41.4
Length (In.)5.25.74.4
Filter threadnonenone82mm
Aperture blades997

In size and weight, the Tamron is much closer to the Nikon than the smaller Canon lens. Like the Nikon, it can’t take screw-in filters. It’s significantly less expensive than either of the brand-name lenses, although I wouldn’t call it bargain priced. My opinion going into the test, therefore, was the Tamron would have to provide optical performance at least as good as the Canon lens (considered the weaker of the two manufacturer’s wide zooms) to be competitive.

Optical Bench Results

All lenses were tested on a Trioptics Imagemaster Vertical MTF Station. Five copies of each lens were tested and the results averaged unless noted otherwise. Each copy was tested in four rotations with 0 degrees being standard camera orientation, the cut being made from the left edge to the right edge of the field of view. The additional cuts were made after 45, 90, and 135 degrees of rotation on the bench.

Testing each copy at 4 rotation angles gives us an excellent way to tell how even each side and corner is.

 

Results at the Wide End

The graphs below represent the average of 20 MTF readings for each lens (5 copies of each lens, with 4 MTF readings each) at the widest end of the zoom range, comparing the Tamron to the Nikon and Canon zooms. Note that the readings are actually at slightly different focal lengths: 14mm for the Nikon, 15mm for the Tamron, and 16mm for the Canon.

If you don’t speak MTF, don’t worry. It’s not hard. Higher on the vertical axis is better. Dotted and solid lines of the same color close together are better (far apart is astigmatism). The horizontal axis goes from the center of the lens at “0” to the edges of the lens at “-20” and “+20”. Lower lp/mm (black and red lines) have association with strong contrast, while higher lp/mm are associated with ability to resolve fine detail.

 

Comparison of Tamron 15-30 and Canon 16-35 Mk II MTF at widest focal length.

 

Looking in the center 1/3 of the image (0 to 6mm from center) the Tamron doesn’t resolve quite as well as the Canon, although it is still very good and very close. In the middle 1/3 of the image (7 to 15mm from center) the Tamron is actually a bit better. In the outer 1/3 of the image, though the Canon is superior. There’s not a clear-cut winner here. I won’t call it a tie because they are different. A landscape shooter for whom the corners are critical might prefer the Canon. A wedding shooter needing the middle of the image for group shots might like the Tamron better.

 

Comparison of Tamron 15-30 and Nikon 14-24 at widest focal length.

 

Compared to the Nikon 14-24 f/2.8 AF-S, the Tamron is just a tiny bit behind in center resolution, and about equal or a little better in the central 1/3 of the image. The Nikon is much better in the edges and corners in the sagittal plane, which it’s famous for, and roughly the same in the tangential plane. Technically, the Nikon has more astigmatism in the corners, but that’s because of the increased sagittal resolution, the tangential resolution is about equal in the two lenses.

Overall at the wide end the Tamron does well. It’s perhaps not quite as good as the two manufacturer’s zooms, but very close.

Results at the Long End

There’s a greater difference in focal length here, with the Nikon at 24mm, the Tamron at 30mm, and the Canon at 35mm. So some might say we’re comparing apples and oranges. On the other hand, the extreme ends of the focal range are what we like to test since it’s where any weaknesses usually show up.

 

Comparison of Tamron 15-30 and Canon 16-35 Mk II MTF at longest focal length.

 

At the long end, it’s apparent that the Canon is just a bit better than the Tamron both in the center and off-axis.

 

Comparison of Tamron 15-30 and Nikon 14-24mm MTF at longest focal length.

 

Again, the comparison shows that the Tamron just isn’t quite as good as the Nikon at the long end.

23mm Comparison

Let’s remember, though, that the long end of the three lenses is quite different. For that reason I thought it worth comparing them all at about the same focal length, so we ran another set at 23mm to give a direct comparison at that focal length. This might give a slight disadvantage to the Nikon, since this is near its extreme focal range. On the other hand, the Nikon lens designers got a slight advantage because they didn’t design the lens to zoom as far as the others. So I’ll call it all even.

And I’m glad we did check, because the information is worthwhile, demonstrating a different philosophy of lens design.

Comparison of Tamron 15-30 and Canon 16-35 Mk II MTF at 23mm.

 

The Tamron is at its best here in the middle of the zoom range, with a better MTF curve than at either extreme. The Canon, on the other hand, appears to be at its weakest here; not as good as it is at either extreme and not as good as the Tamron at 23mm. (Remember, this is the average of 20 MTF readings from 5 copies, and there were no bad copies.)

 

Comparison of Tamron 15-30 and Nikon 14-24 MTF at 23mm.

 

Compared to the Nikon, the Tamron is holding its own when shot at 23mm with an MTF curve that’s as good as the Nikon’s, and perhaps a bit better since it has less astigmatism. That’s pretty remarkable.

Field Curvatures

Field curvatures give us a lot of nice information, explaining sometimes why corners are softer (because they are not in the plane of focus of the center of the lens used for the MTF graphs), and demonstrating visually the lens’ astigmatism. I’m just showing the curves for all three lenses at 23mm. The curves are similar in shape and direction at both ends of the zoom. In the case of the Canon lens, though, they are much less severe at areas other than the mid-point of the zoom.

 

Looking at the graphs above (all done at 24mm) we can see, for example, part of the reason for Nikon’s superb corner and edge performance in the sagittal plane. The field curvature has a little “mustache” shape, but really stays in the same plane of focus as the center all the way out to the edges. The tangential field has a pretty wicked “U” curve, which also explains some of the astigmatism we see on the Nikon graphs.

The Tamron’s field curvature at this focal length is much like the Nikon’s in the sagittal plane, and has much less curve in the tangential plane. Again, this shows the ‘sweet spot’ of the Tamron lens. At the wider end there is more astigmatism and at the longer end some loss of resolution.

The Canon’s field curvature is more severe than the others although the sagittal and tangential curves are similar in shape through most of the field. (Please forgive the broader “depth of field setting” on the Canon curves. I accidentally moved a slider when generating these and they take so long to do that I decided to go with it as it was rather than redoing it. Tying up a $200,000 machine for an hour when we need it for other things isn’t always possible.)

Summary

Like so many tests, this one just emphasizes the fact that different lenses are different.

At the wide end of the zoom range, the optical differences are complex. In the middle 2/3 of the field the Tamron holds its own or is a bit better, but it’s not quite as good in the corners. At the long end (30-35mm) the Canon lens is better than the Tamron. At 23mm, though, the Tamron is as good as the legendary Nikon 14-24, and clearly better than the Canon 16-35. And, of course, the Tamron comes at a significantly lower price than either of the manufacturer’s lenses.

So which one do you want? As is usually the case, it’s an individual decision. If you have a good 24-70 zoom already and plan on using this lens from the wide end to 24mm, then the Tamron is right up there with the other two at 24mm and just a bit behind at the wide end. For Canon shooters who want to their wide zoom at focal lengths longer than 24mm, the Canon is better and goes further.  The Nikon doesn’t go longer than 24mm, so the Tamron gives some extra reach to Nikon shooters, although at slightly lower resolution.

Choices are nice, aren’t they? But deciding can be complicated.

Roger Cicala and Aaron Closz

Lensrentals.com

February, 2015

 

Author: Roger Cicala

I’m Roger and I am the founder of Lensrentals.com. Hailed as one of the optic nerds here, I enjoy shooting collimated light through 30X microscope objectives in my spare time. When I do take real pictures I like using something different: a Medium format, or Pentax K1, or a Sony RX1R.

Posted in Lenses and Optics
  • Massimo Foti

    Nice, Thanks. I just wish you added Tokina 16-28 f/2.8 too

  • Damián

    Great job!
    It would be really nice from you if you could add the metric measures next to the imperial you use in north america. I mean, cm, grams, etc.
    The same way you do with the filter thread.

    Cheers.

  • NancyP

    Thanks for all this information. I am glad to hear about less decentering on EF 16-35 f/4 L (considering this lens). I am amazed that you have the time to do these tests.

  • Roger Cicala

    Gene, I’m not sure if they still make it, but there are some available. It’s not a great lens though, a much older design.

  • Roger Cicala

    Publius, as we said, it’s not one lens, it’s the average of 5 copies of each lens.

  • Roger Cicala

    Pedro, we haven’t noted as much decentering on the 16-35 f/4.

  • Roger Cicala

    Dave, yes, all wide open

  • Dave

    All these tests wide open, right?

    Thanks very much for this test, and all of your articles!

  • Florian

    Thanks for the test! Since I own Sony A and E mount bodies, choise isn’t that difficult if I lime to stay compatible with each… 😉
    But I am curious how the native Sony/Zeiss 16-35 (in A as well as E mount version behaves). Not to forget another beast, the Sigma 12-24mm…

  • Massimo

    Would be nice to see how different a prime lens such as the Zeiss 2.8/15 would be.

  • Charlie

    Interesting. Most wide zooms I rack to the ‘ends’; I don’t use the middle too much. I’m surprised the Canon 2.8 did this well.

  • Carlos Paredes

    Which aperture was used for the MTF graphs? Are the lenses wide open?. Not all lenses improve the same stopped down… specially for the Tamron (thanks to VC) the performance at F4 or F5.6 is an additional interesting subject.

  • Hi Roger,

    You are a legend! It’s great to see another one of your well-controlled and informative lens comparisons.

    In terms of the results, I’m quite surprised. I was expecting the Tamron to perform better. I’ve been preparing to sell off my 16-35mm f/2.8 USM II but it looks like it might be worth keeping. My copy delivers great AF accuracy and speed and is not de-centered.

    I’ve gone through my LR5 catalogue and discovered that when I’m using a zoom I’m using it at its extreme settings about 80% of the time and I am a huge fan of 35mm, so the Canon scores some serious brownie points there for my usage.

    A quick question: The Tamron looks sharper in the critical mid-frame zone which makes up the bulk of the image area but there is a lot of astigmatism… Would this imply that the Tamron will suffer from coma? A primary application I’d use such a wide-angled, wide-aperture for is astro, so coma is a real concern.

    Best regards,
    Omesh

  • Pedro Pires

    Hello Roger, congratulations for the review. Just one thing with your comment on sample variation… are you also noticing that decentering with the Canon’s 16-35mm f4 L as well? Or is there any sign of some sort of improvement in QC?

  • publius

    Let’s remember this is one lens from huge batches of lenses. Your results WILL vary. I do not trust a poll sampling of one. The manufacturers often present their MTF in theoretical results based on physics since they know that is the average. Some will be better and some not so good. Therein lies the real test – quality control. Does Tamron have as good quality control on their production lines as Nikon or Canon? when they test their lenses before packaging, are their acceptability limits as tight as Nikon or Canon? Two separate points. Each may perform quality controls, but if one company allows a greater deviation from the standard, the customer may get something great or poor. At least with Canon’s micro-adjustment feature, I can correct some deviations for my particular lens and body combination. Can I do the same for a Tamron lens?

  • KimH

    Hi Roger, Aron

    Thanks for this!

    It IS surprising what you find and what is meant to be gospell. And proving that every manafacturer has the same constraints and tradeoffs to do – but some do it better.

    Example – I hear from users that the N 14-24 f2,8 is horrible wrg2 flare (which is not what you test – understood) – not sure about the other 2. Is there a machine you can buy which test this :o) Let’s call it your version of Measurement-GAS

    My very next thought was C. 16-35 f4 and maybe even the new C. 11-24 f4. Is f4 a topic on its own, if you don’t need 2,8 etc-.etc-.

    I keep visiting and reading – in awe.

  • Gene P.

    Doesn’t Nikon still make the 17-35 2.8 lens? If yes, would that be a better comprison than the 14-24?

  • Thank you Roger !
    Great and very useful information here .
    Waiting eagerly for your review and test of the Canon 11-24 😉

  • Matt

    Do the Canon and Tokina lenses become decentered with use, or just come that way from the factory? (I’m guessing both) If I buy one, do I need to worry about it becoming decentered eventually?

    My main use for f/2.8 wide angle is milky way shots, but it would be great if there was one lens that could do that really well in addition to having the flexibility of autofocus and zoom for wide angle landscapes and general use that would be at f/4 or higher.

  • With these type of lenses, I would have appreciate a lot more a comparison at the landscape shooting apertures(f/8, 11, 16). I assume some prople are certainly using these lenses at f/2.8 but I am not dure it is common.
    As well, the 16-35mm f/4 would have been a better contender since it is better than the f/2.8L II in the corners.

    My 2 cents

    JD

  • Adam

    I don’t suppose you tested these at f/11 too? One review I read had similar results to this wide open, but found the Tamron beat the canon by a fair bit at f/11.

    Also do any of these tests reveal coma correction? The canon has pretty terrible coma, the Nikon almost none, i’m hoping the Tamron is closer to the Nikon in this regard, but I haven’t seen any great tests of it yet.

  • Richard Fisher

    Great work. I am looking forward to your review of the new 11-24 and hopefully similar analysis comparing the Canon 11-24 to the Nikon 12-24 and ideally comparing the newish canon 16-35 F4 to the older Canon 16-35 F2.8 II

  • Roger Cicala

    Eric, we were testing at f/2.8 for this batch. My own opinion is that people who don’t need f/2.8 should be shooting the f/4, it’s a better lens. . . . at f/4.

  • Roger Cicala

    Matt, the Tokina is another lens with a lot of sample variation. Some copies are rocking, some have a bad corner.

  • Roger Cicala

    sloma, copies of each lens.
    One thing I would add is that 16-35 Canon’s are commonly slightly decentered. Ours are checked on a pinhole collimator for that or they don’t make the test batch. If we had tested random 16-35s they wouldn’t have been quite this good.

  • Happy to see your analysis here. I’ve been interested in this lens since it was announced, to replace my badly-decentered and generally beat up Nikon 16-35mm f/4 VR. (That lens was used for about 1,500 miles on the Appalachian Trail…) Even if it is heavier, the wider aperture would be welcome and I prefer to have VR instead of carrying a tripod on long hikes. There will always be tradeoffs when limiting one’s camera weight for backpacking. As much as I’d like to carry primes all the time, I think when I’m going months without access to my camera bag I prefer a long zoom, wide zoom, and a normal prime to give me something fast! Hope this one will be the wide zoom for the next long hike.

  • sloma_p

    How many Tamrons did you test? Results I’ve seen from this lens so far (other test sites/blogs) indicate it’s clearly superior to Canon 16-35L II, especially in the corners.

  • Matt

    You should test the Tokina 16-28 f/2.8, too! I’ve seen some reviews that show it has similar performance to the Canon lens, and some that show it is worse.

    I was really hoping the new Tamron lens would be significantly better than the existing offerings, but it looks like it’s just different. Maybe I’ll just give up on the search for a wide angle f/2.8 zoom and get the Zeiss 21mm.

  • Eric

    Thank you for the test ! It could be nice to add the Canon 16-35mm f4 to the test… Yeah I know, this is not me that does the job 😉

  • Ian

    Roger & Aaron, thank you as always for your interesting and informative blog posts. These results are interesting really do cast some light on the differences in design philosophy among the three lens makers. Keep up the great work!

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