Equipment

Sony FE 135mm f1.8 GM Early MTF Results

As is sometimes the case, I got access to a couple of pre-release copies of the new Sony FE 135mm f1.8 GM lens. Of course, if I get access, it gets MTF bench tested. I mounted the first one, sipped my coffee and then lost my mind and started shouting various expletives, enough to bring Aaron running in from the other room to see what I’d broken.

I hadn’t broken anything; I just saw MTF curves higher than anything I’d ever seen in a normal-range lens. (Lenses like 400mm f/2.8 super telephotos, are about this high. But those are super telephotos. And f/2.8.)

Anyway, I tested the two copies we had and sent a subtle note of congratulations to some friends at Sony. The note turned into a video conference with one of the designers of the lens and some phone calls that went like “you can write up those two copies” and “no, I only write up 10-copy sets”. This turned into Sony giving me to access to 8 more copies and permission release the test results early.

Sony 135mm GM Rentals

So, this write up is my usual MTF post; 10 new-from-box copies tested and averaged. They are Sony’s own copies, however, not the usual lenses we’ve bought off the shelf. I’ll repeat the test in 6 weeks when we get our own copies, but I have no reason to think it will be different. And just to be clear, Sony didn’t hover over me or approve my results; they’ll see this blog post for the first time exactly when you do.

A Bit About the Lens

I was permitted to share a bit of the background I was given on this lens; it has some new features. The paired linear motors moving two separate focusing groups haven’t been done before. There have been some attempts at paired focusing groups in zooms, but not in primes, and the pairs have generally been one ring and one linear motor. Also, these are new linear motors (depending on how you count, 4th generation) that are much more powerful and robust than earlier ones. This is the same motor design used in the Sony FE 400mm f/2.8 GM OSS lens, which we showed you in the teardown of that lens.

If I understand correctly, this focusing system allows the 135mm f1.8 GM to execute up to 60 AF instructions per second. {Correction: I misunderstood this part during the teleconference. What was said was that the A9 can give 60 instructions per second, and that this and the 400 f/2.8 come closest to keeping up with that.} That is faster than anything else Sony has made and does it to a higher degree of accuracy than they’ve achieved before.

Optically, the lens has what Sony’s engineers call the largest ‘extreme’ aspheric element ever made, and it’s up in the front of the lens, which they say helps both sharpness and bokeh. I think ‘extreme’ aspheric may be more of a marketing, than an optical, term. But what was very clear is they have (and I saw micrographs to demonstrate it) been able to polish this aspheric to a smoother degree than has been possible, reducing or eliminating any onion-skin bokeh.

Sharpness Testing Sony 135mm GM

There were more features, like the 11-blade aperture and the aluminum-magnesium composite chassis (the same material used in the Sony 400 f2.8 again). I’m not trying to make this into a lens review; it’s just my report of MTF tests. But I wanted to let you know that I was really impressed by the discussions I had with Sony engineers. As many of you who follow this blog know, ‘impressed’ has not always been my opinion of Sony’s lenses. But I’m impressed this time.

MTF Results

Let’s make this simple and straightforward. In the center, that’s the highest MTF I’ve seen on a non-supertelephoto lens. The highest. Let’s put particular emphasis on the purple line, which is 50 lp/mm. That’s a higher frequency than any manufacturer tests (that we know of), appropriate for fine detail on the highest resolution cameras. We would consider an MTF of 0.5 at 50 lp/mm to be very acceptable. This is hugely better, nearly 0.8 in the center. We’ve never seen that kind of resolution before.

Lensrentals.com, 2018

 

The MTF drops away from the center, of course, but even at the very edges, the readings are still quite high.

Let’s compare it to the Sigma 135mm f1.8, which until today was the sharpest 135mm we had tested. In the outer 1/2 of the image they’re pretty even, but in the center half, the Sony GM is dramatically better, especially at higher resolutions.

Lensrentals.com, 2018

 

I’ll also throw up a comparison with the Zeiss 135mm Batis, which is really excellent, although not wide-aperture. The Batis has a considerable advantage since it’s being tested at f/2.8. Even at f/1.8, though, the Sony 135mm GM is clearly better in the center half of the image.

Lensrentals.com 2018

 

But Wait! There’s More!

Aaron brought up that this was the highest center resolution either of us remembered seeing on standard testing, with 50 lp/mm reaching a ridiculous 0.78 MTF. We have, in the past, tested lenses at a higher frequency for ultra-high resolution sensors (150 megapixels). We found that a lot of lenses that were really good at standard frequencies died quickly at higher frequencies.

So we tested the 135mm GM up to 100 lp/mm, something we don’t normally do.

Lensrentals.com, 2019

These results are insanely good. At 100 lp/mm the Sony 135mm f/1.8 GM has a higher MTF than most excellent primes do at 50 lp / mm. If you don’t speak MTF, basically that means this lens can resolve fine details that would be a blur on excellent lenses.

Back when we were doing that ultra-high resolution testing we tested all the lenses stopped down to f/2.8 or f/4; there was no way to get the kind of resolution our client needed otherwise. So we tried the 100 lp test at f/2.8. Honestly, I thought the resolution wouldn’t go up all that much. As is so often the case, I thought wrong.

Lensrentals.com, 2018

No lens we’ve ever tested has resolved 100 lp/mm this well at any aperture. One other lens was close, but I can’t tell you the name of it. We were under such strict nondisclosure that we never referred to it by name. It was just referred to as ‘the lens in question’ and was a huge prototype. But even that lens wasn’t quite this good at 100 lp/mm.

What does this mean for you? Well, in a couple of years if you are shooting a 90-megapixel camera, this lens will be the one that wrings the most detail out of that sensor. Right now it looks at your 43 megapixels and goes, “that’s cute.”

Summary

This has been an MTF test. It has only been an MTF test. If it had been an actual lens review, I would have 762 images showing you pretty models, dramatic landscapes, and bokeh examples. Lens reviewers will do that in a while; be patient.

But as far as the test goes, the results are pretty simple. This is the sharpest lens we’ve tested. Period. (At last count, that’s out of 300+ lenses tested.)

 

Roger Cicala and Aaron Closz

Lensrentals.com

March, 2019

Author: Roger Cicala

I’m Roger and I am the founder of Lensrentals.com. Hailed as one of the optic nerds here, I enjoy shooting collimated light through 30X microscope objectives in my spare time. When I do take real pictures I like using something different: a Medium format, or Pentax K1, or a Sony RX1R.

Posted in Equipment
  • Sami Reinikainen

    Is there finally something sharper than Sigma 50-100mm?

  • Has Sony ever made a mk II lens that has involved an optical improvement? I know they updated focus motors in a lot of their most expensive A-mount lenses to work with their A to E adapters. But many times I’ve wondered why Sony doesn’t offer optically improved successors to their lenses—particularly thise with wide appeal— like the FE 24-70mm f/4?

  • bokesan

    I’m in complete agreement with this lens – 40-50 mp _are_ cute. I want more of those 😉

    Not that worried about my older lenses though. I’ve often seen false color using a 70’s F-mount lens on the Nikon 1 J5. A FF sensor with the same pitch would be 150mp. Yes, that was center and slightly stopped down, but I’m really looking forward to using the same lenses on a 100mp FF body. I think nobody should be worried about their Otuses getting outdated at this time, even though sharper lenses are cropping up everywhere.

  • That might’ve been more or less addressed in the “This is the sharpest lens we’ve tested. Period.” remark. IDK. Maybe the Otus 100mm has an more sinister trick up its sleeve.

    The progress we’ve seen in lenses has been so fast that many yoots of today do not even understand why or how a 50mm f/1.4 prime *wouldn’t* be sharp wide open and into the corners.

    Collectively we all participate in moving the goal posts just as fast as progress can be made, and sometimes faster—which leads to the worst types of complaining…about weight, or size, or the way some focus rings appear to collect dust faster than usual.

  • JJ

    … at infinity focus. ?

  • dafranklin

    Roger, maybe you can’t comment on this, because you may not have tested it, but I wonder how this excellent Sony lens compares with the Canon EF 200 mm f/2.0, another lens with a very good reputation, and also not a super telephoto.

  • DV

    It doesn’t surprise me that the sigma is “better” than the ZA in resolution because it throws more glass at the problem. The fact that the 135 GM beats the ZA and the Sigma while weighing less than the ZA (950g for GM vs 990g for ZA) is impressive indeed.

  • T N Args

    Hi Roger, are there any consequences to having a steeper sharpness drop-off from centre to edge, vs a lens with a lower peak but more consistency across the frame?

  • I finally acquired the 135ZA about a year ago, and it boggles my mind that something could be better than this lens (I’m not doubting reports of better lenses— it just boggles my mind). I use it for concert photography and the AF is just fast enough for an acceptable number of keepers from a dark punk show. The GM is quite a temptation to move to E-mount.

  • David Bateman

    “showing you pretty models, … Lens reviewers will do that in a while; be patient.”

    Skip the lens review, you will have pretty models in the future? Will this be you and Aaron in bikinis?
    Or will you take photos of Star wars models, like the millennium falcon?

  • iKonOkLasT

    Should have a Zeiss 135 APO comparison…

  • DV

    This is correct. The 135 1.8 ZA has no prior Minolta version and was a new by Zeiss design for 2006. It was not a rebadge or old design.

    The 135 ZA was one of the sharpest A-mount optics ever made, but thirteen years is a long time in lens design and it was only just edged by the Sigma. Its main flaw was the fact that it relied on the in-body AF motor and the AF was not fast.

  • Ben

    Are you all going to tests GF lenses at some point?

  • I think the confusion is with the 85ZA, which (superficially) resembles the Minolta 85/1.4G. It is a different design, but quite often (mistakenly) described as a re-badged version of the Minolta. The ZA135 was a completely new design, there were no similar Minolta lenses.

  • Matthew Breitbart

    I’d be curious to see how it stacks up against the Nikon 200mm f/4 Micro, at least in terms of sharpness…

  • Sezai Ercan

    Ok. Thanks for the heads up.

  • Michael Sandman

    But wait! It’s meaningless because the pixel size is important as the number of pixels and the depth of field will cause bokeh to be different with a different sensor size…

    Ok, now you need only 497 nerds of one sort and 836 of the other. Meanwhile, thank you for publishing this ( and all your other resolution tests and tear-downs),

  • Them Bees

    I imagine pixel pitch is the more appropriate measure, since you are concerned with pairs of lines.

  • Them Bees

    Shouldn’t that be fairly obvious from the content of the review?

  • John, it was low but lets repeat these were Sony’s lenses, not production run off the shelf lenses.

  • Michael Pierce Mystro

    Wow! Go Sony.

  • My apologies, that was an error on my part – I was traveling all day and shooting too quick off the cuff. It was not rebadged, but I was told it was originally a Minolta design way back in the day.

  • I didn’t make the tags, but it is not OSS.

  • Sezai Ercan

    In your tags you state that this is an OSS lens: “Sony FE 135mm f/1.8 GM OSS”. Can you confirm it has optical stabilisation? I looked at many photos of this lens and also went through some descriptions and could not confirm any OSS built into this lens. But perhaps those were all pre-pdroduction copies and the real thing will have OSS?

  • abcjeff

    Better or worse?

  • Sony: Take my money

  • Michael Bielecki

    While I don’t expect the 135ZA to match the modern performance of the new 135GM (after all, the Zeiss 135f2 APO does best Sony’s A-mount version), I am surprised to hear that the ZA was a rebadged Minolta. Perhaps it was a design Minolta patented, but never put into production? Very interesting.

  • Michael Ogle

    What lens was it rebranded from?

  • John Talstad

    So, you got ten copies.
    How was the copy-to-copy variation?

  • Katharine Elizabeth Henry Alex

    ….I’m not a tech person so what I’m getting is “New lens good. Sharpest lens. Will need to sell kidney to get it .”

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