Equipment
Picture this: you have a choice of three lenses with nearly the same specifications; how do you choose between them? This is probably the thought when considering Sony’s 16-35mm f4 ZA, the Sony 16-35mm f2.8 GM and the Sony 12-24mm f4 G. I’m here to tell you, in not so many words, that they are […]
Equipment
I feel like I’ve written this a thousand times at this point, but credit is deserved where credit is due. There is no lens manufacturer in the world who has done a better job than Sigma Lenses at rebranding their image from a lowly third party manufacturer to a staple in the lens market. With […]
Equipment
When I heard Leica was finally releasing the long awaited Leica M10, I got really, really excited. I’ve been a Leica fan for many years, having owned an old film MP for a while, then playing with all the digital bodies when I started working here about seven years ago. All the camera bodies that came […]
Equipment
It’s not very often that a lens wows me with excitement by a simple announcement, but admittingly, Sigma did just that when the announced the Sigma 135mm f/1.8 Art Series Lens. For starters, 135mm has been one of my favorite focal lengths for years now, so while everyone was begging them to announce the fantastic […]
Equipment
Fujinon, typically a manufacturer of high-end, ENG style PL and B4 mount lenses, officially announced today that they are releasing their first cine-zooms designed specifically for Sony’s E-mount camera systems. The MK18-55 T2.9 and the MK 50-135 T2.9 are meant to be affordable, lightweight solutions for video shooters looking for a middle ground between the […]
