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Lighting Options of Photo and Video
Equipment

A Breakdown of Lighting Options Available for Photo and Video

A month or two ago, I wrote an article about the fundamentals of lighting and discussed core lighting techniques used for both photo and video to better understand artificial light both in a studio or on location. Continuing the trend, I wanted to answer the question that so many people will often…

Zach Sutton · September 8, 2017
Cine Lens Comparison
Lenses and Optics

Cine Lens Comparison: 35mm Full-Frame Primes

Good day! And welcome to our first Cine lens MTF comparison. If you aren’t familiar with what we do here, I suggest you take a glance at our previous post on why we’ve started testing Cine lenses. For those of you who haven’t been here before, let’s be clear about what this is not. It is not a lens…

Roger Cicala · August 18, 2017
Equipment

A Videographer’s Take on Sony’s a99II and the Yet to be Antiquated A-Mount

As a videographer, it’s easy to forget about Sony’s A-Mount. Still, I recognize that I owe a great deal of respect to the previous Minolta line. In its prime, Minolta developed several revolutionary functions that are often taken for granted today. Minolta’s Single Lens Reflex (SLR) technology was…

Ally Aycock · May 30, 2017
Equipment

The Biggest Product Announcements at NAB 2017

Every year the National Association of Broadcast (NAB) holds their conference in Las Vegas, netting over one hundred thousand attendees, and those lucky enough to attend, get an exclusive look into the upcoming gear and tech within the video market for the next year and beyond. In layman’s terms,…

Lensrentals · April 28, 2017
Equipment

RED Weapon Helium 8K S35 Hands-on or: DSMC2 and You

To be perfectly honest, this article started purely as an excuse for me to play with a carbon fiber 8K RED Weapon. I figured I’d take it out for a weekend, shoot some footage, melt my computer trying to edit it, write a hands-on review, and be done with it. Gradually, though, I realized that a…

Ryan Hill · January 17, 2017
Color Bit Depth Explained
Geek Articles

What is Color Depth and Why Is It Important for Video?

One of the most common questions I get from video customers is, “What do 10-bit 4:2:2 and 8-bit 4:2:0 actually mean?” The explanation can get pretty technical, so it’s easy to default to the opinion that higher numbers equal better footage. That’s true in a sense, but following that logic leads to…

Ryan Hill · November 28, 2016
How To's
How To's

How to Use Interview Transcripts as an Editing Tool

I was introduced to the benefits of interview transcription a surprisingly long time after I’d started learning about documentary filmmaking. Tired of introductory-level film classes and spending hours discussing editing theory between screenings of Koyaanisqatsi, I decided to take a Journalism 101…

Ryan Hill · August 10, 2016
Equipment

A Look at Sony’s Latest Camera System – The Sony a6300

The Sony a6300 is pretty stunning for what it can do within the limits of an APS-C sized sensor and at such a budget-friendly price. It’s supposed to be replacing Sony’s a6000, and it’s very well built toward both photo and video functionality; the trusty a6000, just upgraded. It’s light, it’s…

Trevor Finney · July 20, 2016
Equipment

6 Things to Consider Before Finalizing Your Rental

Part of my job here at Lensrentals is reviewing and building large video-centric orders before they’re shipped. To understand why this is important, it’s important to first understand a little bit about how our equipment inspection process works. Upon receiving an order back from a rental customer,…

Ryan Hill · June 27, 2016
Equipment

Shooting the Nashville Predators with the New Canon 1DX Mark II

Back in early February, Canon announced the Canon 1DX Mark II, the flagship sports camera, with added 4K video functionality and all of the premium bells and whistles you’d expect to come in Canon’s new top of the line camera system. As you can imagine, since the announcement, we’ve been getting…

Zach Sutton · May 12, 2016
Equipment

Hands On With The Panasonic Varicam LT

Panasonic’s new Varicam LT is basically a lighter-weight, more compact version of their Varicam 35, which has seen relatively wide adoption since its introduction in 2014. Weighing in at 6 pounds (body only) the Panasonic Varicam LT is a capable alternative for applications such as gimbal work or…

Ryan Hill · April 19, 2016
Equipment

Country Of Youth – Making A Documentary in Ethiopia With A Mirrorless Camera

There are times when the smallest decision can make a large impact. I do believe that we have the opportunity to change a life by simply making one small decision. When I’m given the chance to help through photography, I feel it’s my duty to pay it forward. Recently, I partnered with Nadus Films…

Clay Cook · April 14, 2016