Sensor Size Matters – Part 1

We get a lot of questions about sensor sizes and crop factors.  Most people know the difference between a standard (APS-C) crop sensor and a full-frame sensor. Not many, though, know how much smaller a 2/3” sensor is than a 4/3 sensor, and fewer still the difference between those and a 1/1.8” sensor. Plus Canon and Nikon have thrown new sensor sizes into the mix in the last year and a lot of people aren’t sure exactly where those sensors fit in among the better known ones. Hardly a day goes by that someone doesn’t ask if the Fuji X-10 sensor is bigger than the Nikon J1 sensor. Is the Canon GX-1 sensor as big as those or more like a point and shoot?

The problem is even more complicated now that SLR lenses are being used on video cameras and video lenses on SLRs cameras. People want to know things like “is Super 35mm format equivalent to a crop sensor or full-frame?” Other people, trying to sell their 16mm film lenses with adapters for 4/3 cameras fail to mention how much smaller 16mm film was than 4/3 sensors. Not to mention the marketers, always ready to make things as confusing as possible, are doing things like calling a 1/1.7” sensor “large” (it is compared to a cell phone camera chip, I guess).

Anyway, since I haven’t been able to find a single source to answer all these sensor format questions, I thought I’d put it all together here. The table below shows the dimensions, in millimeters, of the various sensor (or film) sizes. Please note that the dimensions may vary slightly from camera to camera. For example, Canon’s APS-C sensor is slightly smaller than Nikon’s, but slightly larger than Sigma’s. The aspect ratio of the sensor (4:3, 3:2, 16:9) will cause some variation, too. For example, the 35mm Cinema, Super 35mm, and APS-C crop sensor formats are nearly the same size (look at the sensor area) but of slightly different rectangular proportions.

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A Bit of 3250mm Fun

It’s winter. It’s slow. We get bored. We have lots of stuff to play with. Too much stuff and too much time leads to all kinds of trouble. I mean experimenting to find combinations of equipment that might benefit our customers. So anyway, Joey decided it would be a superb idea to take a tiny little Nikon V1 mirrorless camera with it’s 2.7 crop factor and put it on the back of a Nikon 600mm f4 VR with a 2X teleconverter. I mean, who doesn’t need a 3250mm equivalent lens, right?

Joey's Frankenphoto system

It was kind of overcast and gray and there’s not a lot of scenery behind our building (this is the view shot at 35mm). Joey’s telephoto test target is the cell phone tower on the right, the smaller one.

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Strobe Triggers- What’s What?

Alright everybody.  Tim here with a little info for you about strobe triggers.  We get quite a few calls or emails each week asking how these little guys work, which one is best, which one will make my photos better than everyone else’s, etc.  Since I’ve noticed a trend of questions, I thought I’d go ahead and write up an article on these wonderful but misunderstood creatures of lighting equipment.  In this article, I’ll give a comparison of the various types we have.  I will cover both studio lighting as well as the ever-popular hotshoe flashes.  But first, let’s get everyone on the same page.

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Serial Numbers, Circa 1870

I had a fun surprise today. We were cleaning a couple of old Petzval lenses, getting them ready to show off at Imaging USA next week. One of our Darlot lens from circa 1870 or so gave us quite a surprise.

 

A pair of Darlot Petzval lenses, circa 1870

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Come See Us at Imaging USA!

 

We’ll be at Imaging USA next week, so come see us at Booth #236. We’ll have our fearless leader Roger there, as well as some other technical experts, so come ask any questions you may have. We’ll also have tons of interesting gear there for you to demo.

If you stop by our booth, you can pick up some cool LensRentals swag, as well as some cool stuff from 500px.com and maybe even a free Lens Bracelet. You can also spin our prize wheel, because prize wheels are AWESOME! Our prize wheel will have great prizes, including one $500 gift certificate good towards the purchase of any used lens from us!

If you haven’t signed up for the expo yet, just click the image above and you can register for free!

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Lens Repair Data 2011

What Is This?

We started doing this several years ago. We have a unique opportunity: we own a very large number of lenses subjected to rather harsh conditions: they get packed in boxes, tossed around by UPS, and sometimes the user isn’t as careful with them as you would be with your own lenses.

Our numbers reflect heavy and hard use. Your personal lenses shouldn’t fail nearly as often; they aren’t subjected to rental conditions. But since all of our lenses are subject to roughly the same number of rentals per year, it does provide some comparison about how fragile various lenses are compared to other lenses. It’s not scientific, but it’s a bit more useful than posts on a forum going back and forth between “never had a problem with it” and “mine sucked.” For those of you interested, I’d also suggest looking at the LensPlay Lens Defect Survey. Again, it’s not scientific, but it has responses from thousands of users, so it is another large series.

This list is not a comment about how good a lens is, it’s about how often it breaks under harsh conditions. Some of my favorite lenses are on this list.

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The Great 50mm Shootout

Every so often the Universe realizes I’m getting a little cocky and sends someone to ask me a simple question I can’t answer.  It happened again the other day. Michael Plumridge and Peter Lik asked Tyler what the sharpest 50mm lens was. They were shooting on Red Epics with adapters so neither brand, mount, nor price mattered. But they needed to know right away. Tyler told them he’d ask me and give them the answer in a few minutes.

But I didn’t have a clue. I have tons of data on 50mm lenses for Nikon and Canon cameras, but all of that was shot at widest aperture, which is great for finding lenses with problems, but not great for finding which is sharpest at f/4. And we had no factual data for Leica mount lenses because Rangefinder cameras are very difficult to test using programs like Imatest. But when someone like Peter Lik wants an answer and tells you Jim Jannard is curious, too, you get them an answer. So we tested every kind of 50mm lens we had available and got a pretty clear answer by the end of the day.

As always, my first thought when presented with a bunch of work to do is “what’s in it for me”? Turns out not much. Tyler got a beautiful signed picture that hangs in his office so I can see it every time I walk by. I got a nice thank you email. But, I figured if I did all that work, I’d at least  make a blog post out of it so I didn’t have to do a bunch of research over the holiday weekend. Wait, I mean, I was certain other people would be interested in what I found, so I thought I’d share the results.

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LensRentals 2011: Our Best Blog Posts

Happy New Year! We don’t post as often as some other blogs because we try and develop well researched, insightful blog posts. Even though we don’t post often, over the course of the year, we develop a LOT of content. This year, we think we developed some really good stuff. We’ve broken our most interesting posts down into a few different categories to share with you.

A History of Photography

Roger has two loves: history and photography. Over the past 18 months, he has combined his two loves into an incredible series documenting the development of early lenses and cameras. These articles are thorough, but not boring, and often feature Roger’s humor as well as his love of puns. Enjoy!

History of Lenses

 

Cooking with Glass

Well, since I’ve titled my other two “History of Lenses” articles with puns, I figured I’d continue the trend. Although I’ll admit this is the worst. But I loves me some puns.

 

 

Who Invented the Telephoto Lens?

Despite the numerous requests, (OK, it was 3. But 3 is a number, therefore I can call it numerous if I want to) I still wasn’t going to write about the development of telephoto lenses. Except that all three people who said “so and so first developed the telephoto lens” were wrong. None of them named the person who first made telephoto photographs.

 

 

The Development of Wide Angle Lenses

Wide angle lenses are even more different from standard lenses than telephoto lenses are, so I just couldn’t rest until I’d covered the development of wide-angle lenses too. The last major lens development will wait a while longer. (I know you’re thinking Lensbabies are the last major lens development, but actually I’m referring to zoom lenses.)

 

 

History of Cameras

The Chemists, The Potter, and The Aristocrat: Imaging Before the Photograph

Since I started my articles on the early development of photographic lenses, I’ve been wanting to write an article on the development of the first cameras. The early days are so much more fun to write about, back when photographic advances were about people rather than corporations.

 

 

The Showman, The Sheriff, and the First Cameras

In my last article, we discussed the first image makers, up until the late 1820s when Niepce had actually been able to make images using a camera obscura and silver plates coated with Bitumen of Judea. On his way to England, Niepce had been introduced to a most interesting man, Louis Daguerre, probably by Charles Chevalier, the lensmaker they both used.

 

 

1839 and the Frenzy That Followed

By the middle of January, news of Daguerre’s invention had spread around the world. The actual techniques used remained secret, however, as the French government had not yet officially agreed to buy the invention from Daguerre, but the fact that photographs had been made and exhibited caused a frenzy everywhere.

 

 

Lens Variation

Notes on Lens and Camera Variation

A funny thing happened when I opened Lensrentals and started getting 6 or 10 copies of each lens: I found out they weren’t all the same. Not quite. And each of those copies behaved a bit different on different cameras.

 

 

 

The Limits of Variation

A few people were more than a little amused that I, the ultimate pixel-peeper, wrote an article demonstrating that all lenses and all cameras vary a bit; that you can’t find the ultimately sharpest lens.  Each individual copy of a given lens is a little different from the other copies. A single copy will behave a little differently on different cameras. Even on the same camera, autofocus the same shot a dozen times and the results will be slightly different.  So people started asking me ”If there’s variation, then what’s the sense in taking all those measurements?”

 

Other Fantastic Articles

The LensRentals Cleaning Method

There are some articles I try hard to avoid writing. Politics, religion, the so-called benefits of UV filters and other things that get Fanboys riled up I avoid like the plague. So for two years, while people have asked over-and-over for me to write an article on how we clean lenses, I’ve politely refused. I’ve seen what happens to such discussions on forums

 

 

Good Times With Bad Filters

Anyway, one of the techs has to clean all those filters, make sure the threads are OK, and test them out. Honestly nobody likes to do it, so it gets put off until we need some filters or there’s just nothing else to do. So the other day Kenny is cleaning filters and testing the threads by mounting them one in front of the other until he made a nice mountain of 50 UV filters.

 

 

Reflections on Reflections. Coatings: The Most Important Part of Your Lens

Reflection is an interesting word with many meanings. To a philosopher it means careful or considerable thought on a subject. To an anatomist it means a structure that bends back along the path it came from. To a narcissist it’s their image in a mirror. To a photographer it usually means subjects mirrored in water, ice, or glass.

 

 

The Apocalypse of Lens Dust

Every lens has dust inside and you can almost never see it in a picture (99% of the time you can’t). But obviously there must be some point where dust is either big enough or there’s just enough of it to become visible, otherwise we could fill our lenses with mud and then go take pictures.

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LensRentals 2011: Our Year in Review

 

Baby Roger says Happy New Year!

2011 has been an eventful year, both for us here at LensRentals, and for the photography industry as a whole. In case you’ve been asleep for the whole year, we thought it would be helpful to create a series of blog posts documenting what the heck happened this year. We’ll start with a post about what happened here at LensRentals in 2011.

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2012 Customer Survey – Win $250

2012 LensRentals.com Customer Survey

Every year, we ask our customers to take a few minutes and fill out our customer survey. The results of this survey help us identify what areas we can improve upon here at LensRentals, so that we can try and deliver even better service to you in the future. Your answers also help us learn more about how you came to find us, so that we can learn the best ways to go about recruiting new members to our cult attracting new customers.

As always, we will only be using the results of this survey internally, and the information will not be used to contact/bug/harass you in any way. We do give you the option of submitting your email address, but this is only used to select the four winners of a $250 LensRentals.com gift certificate. Other than that, we ask for no personally identifying information.

In summary: Fill out our survey by February 28th, 2012 & be entered to win one of four $250 LensRentals gift certificates.

Fill out our survey, please!

Posted in LensRentals News and Alerts, LensRentals News and Alerts » Special Offers / Contests | 3 Comments