Category: Equipment
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Review of the Leica M10: The Perfect Leica or The Perfect Leica?
When I heard Leica was finally releasing the long awaited Leica M10, I got really, really excited. I’ve been a Leica fan for many years, having owned an old film MP for a while, then playing with all the digital bodies when I started working here about seven years ago. All the camera bodies that…
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What You Need to Photograph Fireworks This Summer
Tis the season. Summers are often filled with relaxing, beach fronts, vacations, and of course fireworks. With Independence Day fast approaching, we’re getting calls and emails inquiring about how to photograph those annual fireworks displays properly. The conditions, from a photography standpoint,…
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My Not Quite Complete Protective Filter Article
Well, I’ve written (with some misgivings because it has a tendency to create rioting in the streets) several articles about protective filters. Articles that say sometimes you shouldn’t use protective filters, and others that say sometimes you do need to use protective filters, and most recently,…
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A Videographer’s Take on Sony’s a99II and the Yet to be Antiquated A-Mount
As a videographer, it’s easy to forget about Sony’s A-Mount. Still, I recognize that I owe a great deal of respect to the previous Minolta line. In its prime, Minolta developed several revolutionary functions that are often taken for granted today. Minolta’s Single Lens Reflex (SLR) technology was…
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First Impressions of the New Sony a9
There is no doubt that Sony has changed the game with their camera systems over the last few years – particularly with their mirrorless systems. Last month, Sony unveiled their newest in their pro-level cameras, with the Sony a9 – and we were among the first to be able to get our hands on it and…
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Yet Another Post About My Issues With UV Filters
Yes, I’m sick of filter articles, too. But I come today not to educate you, but to mock others. Because yes, people continue to try to save a few bucks by putting a cheap filter in front of their $1,000 lens. And also because they buy what they think are good filters off of Fleabay or some used…
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A Look At The New Sony FE 100mm f/2.8 STF GM OSS With Smooth Trans Focus
The new Sony FE 100mm f/2.8 STF GM OSS lens is one of Sony’s latest lens offerings for their full frame mirrorless cameras. It’s another lens in Sony’s pro-grade G Master series, with built-in stabilization and SSM autofocus system. It’s designed to be used as a portrait lens, and it has what Sony…
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Camera Gear to Take on Your Next Vacation
As a photography or videographer, vacationing is an excellent opportunity to recharge your proverbial inspiration batteries, and take a moment to get off the grid and just enjoy living while documenting. However, the challenge we always face is that if we’re going to vacation, even if it is to…
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Building an Effective Workflow with RED Camera Systems
With RED’s lower-cost RED Raven and RED Scarlet-W arriving, more budget-conscious and beginner filmmakers are finally going to be able to work within the RED ecosystem. That’s great news if you’re getting your first chance to shoot 4K, 5K, or 6K RAW, but excitement can quickly turn to abject terror…
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The Biggest Product Announcements at NAB 2017
Every year the National Association of Broadcast (NAB) holds their conference in Las Vegas, netting over one hundred thousand attendees, and those lucky enough to attend, get an exclusive look into the upcoming gear and tech within the video market for the next year and beyond. In layman’s terms,…
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Lensrentals.com Reviews the New Sigma 135mm f/1.8 Art Series Lens
It’s not very often that a lens wows me with excitement by a simple announcement, but admittingly, Sigma did just that when the announced the Sigma 135mm f/1.8 Art Series Lens. For starters, 135mm has been one of my favorite focal lengths for years now, so while everyone was begging them to…
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Lensrentals.com Guide to Digital Recorders for Video Production
It’s possible you’ve navigated to this page because you find the in-camera recording capabilities of your favorite camera to be inadequate or altogether non-existent. Maybe you stumbled in looking for someone to tell you that elevating from 8-bit 4:2:0 to 12-bit 4:4:4 will finalize the…
