Equipment
A month or two ago, I wrote an article about the fundamentals of lighting and discussed core lighting techniques used for both photo and video to better understand artificial light both in a studio or on location. Continuing the trend, I wanted to answer the question that so many people will often call and ask […]
Lenses and Optics
Good day! And welcome to our first Cine lens MTF comparison. If you aren’t familiar with what we do here, I suggest you take a glance at our previous post on why we’ve started testing Cine lenses. For those of you who haven’t been here before, let’s be clear about what this is not. It […]
Equipment
As a videographer, it’s easy to forget about Sony’s A-Mount. Still, I recognize that I owe a great deal of respect to the previous Minolta line. In its prime, Minolta developed several revolutionary functions that are often taken for granted today. Minolta’s Single Lens Reflex (SLR) technology was acquired by Sony in 2006, and the […]
Equipment
Every year the National Association of Broadcast (NAB) holds their conference in Las Vegas, netting over one hundred thousand attendees, and those lucky enough to attend, get an exclusive look into the upcoming gear and tech within the video market for the next year and beyond. In layman’s terms, this is where the newest gear […]
Equipment
To be perfectly honest, this article started purely as an excuse for me to play with a carbon fiber 8K RED Weapon. I figured I’d take it out for a weekend, shoot some footage, melt my computer trying to edit it, write a hands-on review, and be done with it. Gradually, though, I realized that […]
