Only You Can Prevent Movi Fires

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When you run a rental house, you basically function as a torture-test lab for equipment. For many years I've put out a Repair Data list annually, showing which photography equipment is more likely to fail than others. I get asked to do the same thing for video equipment, but I usually just shrug and say it's not necessary. I can sum it up simply.

If the product is new and exciting it will probably fail.

If the company is new and cutting-edge, the product will probably fail.

This sounds like a generalization, and it is. It also sounds like an exaggeration, and it's not. New, cutting-edge video equipment from new, cutting-edge companies has an extremely high failure rate. For a lot of these products, nearly 100% fail within a few months. Continue reading

Save 25% On Any Item - One Week Only

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This promotion has expired. You can check out our other current promotions HERE

Had your eye on a certain piece of glass for a while? Then take advantage of our best discount of the summer. For one week only, save 25% on any one item rented.

Just use the promo code: 5DAYSALE

To qualify:

  • Order must be placed by 11:59 PM CT on June 16th, 2014.
  • Order must have an arrival date of June 16th - June 20th, 2014.
  • Applies to the item with the highest rental fee on a single order
  • Not combinable with other promotions
  • One use per customer

Sensor Stack Thickness: When Does It Matter?

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The first post I made on sensor-stack thickness wallowed deeply in PhotoGeekery. This one is meant to be of practical use so I'll try to leave the Geek stuff out. We'll start with the simple facts.

1) There are several pieces of glass right in front of the sensor of every digital camera.

2) The thickness of this layer varies from less than 1mm to slightly more than 4mm depending upon the camera.

3) The thickness of the stack can affect the optics of a lens mounted to that camera.

There is some confusion on when this stuff matters so I'm going to attempt to accomplish two things with this post. First, we'll do a general summary of when it might matter. Second, we'll start a database of information that's not readily available so those who are interested can come back to this page and find out if a certain camera-lens combination might have a problem. Continue reading

The Glass in the Path: Sensor Stacks and Adapted Lenses

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Single glass piece from the sensor stack of a Canon (left) and Micro 4/3 (right) camera. Image credit Aaron Closz.


NOTE: This is a Geek Post. If you aren't into geeky photo measurements, or into adapting lenses from one brand of camera to another, you'll not be interested. 

A year or two ago, I wrote a blog post where I basically showed lenses shot on adapters on other cameras aren't acceptable for testing. If you run them through Imatest the results aren't accurate. I suggested that reviewers shouldn't test lenses on adapters, although obviously adapters are a great way to use interesting lenses to take pictures. Continue reading

I'm Gonna Party Like It's 1995

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I doubt any of you remember it, but 1995 was the coming out party for Digital SLRs. There had been digital cameras before then. There had even been digital SLR cameras of a sort - modified cameras tethered to a hard drive -- before then. But in 1995 camera makers released digital SLR cameras for the masses. Well, sort of for the masses. I think the masses were a few hundred people. Continue reading

Comparing Rangefinder and SLR 50mm Lenses. (Version 0.7)

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Well before our Imagemaster optical bench was delivered, I knew what I wanted to do first: compare some Leica lenses with the best SLR lenses on a level playing. I did one comparison involving Leica lenses a long time ago, but Leica lenses are difficult to test in our Imatest lab. It's nothing to do with Imatest or the lenses; simply that mounting and aligning rangefinder cameras in a testing setup designed for SLRs is difficult and very time consuming.

That was a couple of weeks ago. Usually I have the write up done within a day or two of testing. But I've never processed and graphed this much data before -- the optical bench generates a lot more numbers than Imatest. I tried a few things. I hated them. I tried some more. Finally I asked the good Geeky people who tend to read this blog to help out. I'm pleased to say over 40 people are currently working with another set of data, trying to help me find a good way to overcome my mathematical and graphical limitations to handle all of this data. But that's going to take some time.

In the meantime, I still have a bunch of information about those 50mm lenses I want to tell you about. So I've decided to go ahead and post using the fairly crude methods I've come up with so far. Consider this a very preliminary effort since I hope the next set of tests we do will have a far better presentation. Please take it for what it is - a beta trial of a new technology we're learning to work with.

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A Data Processing Contest

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OK, when I introduced our new optical bench, I mentioned that it generates a lot of data. We gathered data for a nice comparison test (I mean who wouldn't want to know how the Zeiss Otus and Sigma 50mm f/1.4 Art stack up against some nice Leica 50mm lenses). Since then I've spent about 20 hours wading through data and trying different ways to present it. I'll wallow through that article, but I can't say I'm totally happy with my efforts.

A number of people have left posts that if I'd furnish them some raw data they'd take a shot at graphing and presenting it. Which seems like a wonderful idea, especially after I went cross-eyed over the holiday weekend trying it myself. So this morning Aaron collected a small data set that anyone who wants to play with is welcome to.

Continue reading

Introducing the Optical Bench

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Note: This is a Geek article. If you aren't into geeky stuff, you won't be into this.

"We take a step back so that we may leap further." African proverb

I wrote a post a couple of weeks ago about our first copies of the Sigma 50mm Art lens, and promised to follow up when we got more samples. Unfortunately, for the first time in history, Tyler just can't get any copies, so I've been unable to look at sample variation any further.

It's always been my practice to not write anything when I don't have anything to write about -- somewhat unusual for a blogger, I know. But it's been so long since I posted that several people have asked if I was OK. So I thought I'd show you why we've been so busy, and why we should start posting some very cool things quite soon.

Continue reading

MTF - The English Translation

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This post contains absolutely no mathematics. Explaining MTF without math is sort of like doing a high-wire act without a net. It's dangerous, but for any number of reasons is more likely to keep the audience interested.

Why Am I Doing This Again?

I wrote an article on reading MTF charts several years ago. It focused on deciphering the MTF maps that many lensmakers publish when they release a lens, like the one below. But I get a lot of emails asking me asking me how to compare the MTF graphs we use in testing to the manufacturer's MTF charts. Or asking me to show an MTF frequency chart (and if I show it, then lots of emails asking what it means). So I thought I'd write a quick post about the different types of MTF data and charts.

So first, an overview of the common types of MTF charts.

Continue reading